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Whew! it's a woman
T. RAMANATHAN of Royapuram, Chennai, a regular reader of this
column, was kind enough to send me a copy of Appalakacheri, a
collection of articles from the famous Tamil writer of the
Forties and Fifties, Devan. Thank you so much, Mr. Ramanathan.
Yes, I am a great fan of Devan but I had missed reading this book
which must have belonged to an earlier era. Tamilians know the
ritual of appalakacheri where women gather to make appalams. It
is strictly an all-women affair, undertaken when husbands go to
work or are banished to interior parts of the home.
Devan's book has 28 chapters. The characters, with the exception
of a boy named Venkittu, are all women. During the appalakacheri,
they discuss all possible topics on earth - husbands, family
relationships, illnesses, marriage, cuisine, religion and
rituals, ladies' clubs, clothes and jewellery. The dozens of
women included some pattis, middle-aged mamis and a couple of
young women who dressed fashionably, went to ladies' clubs and
even discussed politics, particularly the role of the Congress in
the nation. And in every chapter, the women discuss at least one
recipe, be it rava kesari, Ukkarai or Vaangibath.
The women at the appalakacheri were not highly educated. They
were traditional, but they really understood the real values of
life. Of course, they did gossip and bits of the gossip were
slightly malicious. The book made good reading. I was impressed
with Devan's portrayal of women and it was clear he had
understood the women of his time.
In a way, this was not surprising. Devan's novels had quite a few
interesting and well-sketched women characters. Janaki ("Miss
Janaki"), Komalam ("Sriman Sudarsanam"), Chellam ("Mr.
Vedantam"), Jayalakshmi ("Justice Jaganathan"), Rajam ("Rajathin
Manoradham") and so on. But in the novels, the writer had more
scope to develop his characters. Such a scope was limited in
Appalakacheri where the scene and the characters were the same.
Yet Parvathi Ammal, Kamu ammami, Ambujam, Seshammal, Baby, Alamu
and Patti emerged as originals.
It is not so easy for male novelists to portray interesting women
characters. In 1974, while working on a Ph.D., thesis on the
novels of C. P. Snow (a very good second rate British novelist) I
had the good fortune to spend some time with the author who had
come to India on a visit. Snow's novels had appealed to me
because they dealt with important, interesting happenings of the
recent past - academic politics at Cambridge, the Second World
War, the making of the atom bomb, the Cold War era and the Right
vs Left clash in British politics. Lord Snow was also credited
with inventing the phrase "The Corridors of Power" which he used
as the title of one of his best novels.
Having read all his novels, I found myself totally dissatisfied
with his women characters. When I mentioned this to Lord Snow, he
smiled and agreed that I was right. He himself was not happy with
portraying women characters. "I am more at home dealing with the
intrigue in the White Hall or the clash of egos among the
Cambridge intellectuals. But then I needed women characters for
some of my novels." I was happy that my conclusions on Lord
Snow's women characters were not contradicted by the author.
But no such problems with Devan. He created some wonderful women
characters which only confirmed my view that very few men really
understood women.
I think I belong to this category. There could be several reasons
for this. While growing up, I was the only son after three
daughters. For some three years, I attended a convent school,
where the boys were clearly in the minority (three out of 48). We
played games, learnt the piano and sang hymns together. At Calico
Mills, Ahmedabad, where I worked for five years, most of the
colleagues in the Accounts section with whom I interacted were
women and they were very co-operative. The same was the case with
Reader's Digest. The American editors who supervised my work were
mostly women and I had no problem with them.
In fact, they were more friendly, co-operative and understanding
than some of my local male editors.
At home, with a wife and two daughters, I am always in a
minority. But I find that I am more at home in the company of
women. At a professional level, the women editors I interact with
are nicer than their male counterparts. They support me, accept
new ideas and are appreciative of my work. The women I had
interviewed for my work, were more punctual, outgoing and honest
in their approach.
I dislike people who make snide remarks about women occupying
high positions in life. In fact, I was appalled at the hostility
exhibited towards Indira Gandhi and Sonia Gandhi, just because
they were women. The media called Margaret Thatcher all sorts of
names. Of course, I did not agree with her politics and policies,
but she deserved admiration for her astute control over the
Conservative party and influence over the British people for
nearly two decades. Of late, Hillary Clinton had been playing a
similar role. She was so calm and dignified when her husband was
buffeted by the Monica Lewinsky scandal.
I think Mrs. Clinton would make a great President, in fact better
than her husband. One of the characters in the Agatha Christie
mystery novels, crime writer Mrs. Aridane Oliver, often declared
that had a woman been heading Scotland Yard, the incidence of
crime would be lower. She may have a point here!
I had often thought about my special attachment to women.
Perhaps, it was born out of the feelings for my mother, the most
lovable and wonderful person in my life. Mind you, she was not a
domineering person, never tried to force her will on others. Yet,
whenever she entered a room she radiated a special brightness
which lit up that room.
V. GANGADHAR
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