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Online edition of India's National Newspaper Friday, October 20, 2000 |
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Of tribal art and lifestyle
A MINDBOGGLING variety of tribal and rural art forms which one
gets to view only on rare occasions, was showcased in Kozhikode
recently. Over 10 days the Town Hall at Kozhikode reverberated
with the sound of percussion and wind instruments, which form an
integral accompaniment to the vibrant traditional dances and
other age-old art forms.
The Nadan Kala Mela (Rural arts festival), and the exhibition
which gave an insight into the tribal way of life was organised
by the Kerala Institute for Research, Training and Development
Studies of Scheduled Castes and Scheduled Tribes KIRTADS0 in
association with sister organisations engaged in the uplift of
Scheduled Castes and Scheduled Tribes.
Some of the tribal groups including the Velans, Chola naikans,
Kurichiars, Paniyas, Kurumans and others ethnic to Kerala were
represented at the festival. In all, over 35 tribes are listed as
ethnic to Kerala, with a population of 3,20, 967.
A variety of theyyams such as `mara puli theyyam', `yakshi
theyyam', `raktha chamundi theyyam', and `karinkutty' were staged
in the evenings. So were `vadakkanpattu', `kuthirakkolam' and
`mudiyattom'.
Many of the tribals were at the festival to stage their art
forms, to demonstrate their expertise in tribal medicine and
culinary skills. The food stall was one of the attractions at the
exhibition.
Over a cup of pungent `chukku kappi' ginger coffee0, an expert in
tribal cuisine, Velan, explains the intricacies which accompany
the preparation of tribal culinary delicacies.
He brings over the special varieties of `gandhaka sala', `jeera'
rice varieties and ragi which have been grown in Wayanad, and
which form the base of many delicacies.
The tribal doctors too were a great attraction as their
therapeutic concoctions had many enthusiastic takers.
The stalls had on sale bamboo, cane and driftwood artefacts,
varities of tea, honey and spices. A stall of the Folklore
Academy, Vadakara, had on view an assortment of `theyya kolams'.
The KIRTADS stall was a storehouse of tribal artefacts. Tribal
musical instruments, hunting implements, items of everyday use
also evoked curiosity.
MALEEHA
RAGHAVIAH
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