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Film Review: ''Sonnaldhan Kadhala''
ONE CAN find big and beautiful sets and songs with mass appeal in
T. Rajendhar's films. But in Chimbu Cine Arts' ``Sonnaldhan
Kadhala'' the director has all these plus a story with
interesting episodes. The screenplay is helped by his powerful
dialogue, some eye-catching visuals and tunes which will be
hummed by one and all.
Manivannan and wife Vadivukarasi live with their daughters and
one son. Manivannan is a drunkard. Roja is the eldest of the
children. She works in a finance company where the hero Murali
also works. He loves her but she refuses to accept his love,
mainly because she has to take care of her family. In the
evenings she sings in a music troupe which is conducted by T.R.,
a journalist. His sister falls in love with police inspector
Karan and marries him. T.R. writes about Karan's underhand
dealings in his magazine and Karan, egged on by his mother, gets
angry and tortures his wife.
One of the sisters of Roja is Kovai Sarala who is married to
Vadivelu. He is always found drunk in the company of Manivannan
and gives problems to the family. Manivannan also neglects his
family. How the youngest in the family Master Kuralarasan, who is
hardly nine, changes all and how T.R. unites the hero and heroine
forms the rest of the story.
Roja maintains a sober look till the last frame and wins the
sympathy of the audience. Murali has some good songs and few
scenes to show his potential. It is T. Rajendhar all the way. He
has come out with a powerful dialogue-oriented film for the
masses.
His son Silambarasan has done two dance numbers which will be
enjoyed by all. The only song, obviously meant for the front
benchers which does not fit in well is that of Mumtaz.
A host of artistes figure in the film. The cast includes
Vadivelu, Kovai Sarala, M. N. Nambiar, Kushboo, V. K. Ramaswamy,
Y. Vijaya, ``Vennira Adai'' Murthy, Rajeev, Dhamu, Charlie,
Mumtaz, Swathi, Rajasree, Anumohan, Madan Bob and Pandu.
Produced by T. R. Silambarasan, the story, screenplay, dialogue,
lyrics, music, photography and direction are by T. Rajendhar.
S. R. ASHOK KUMAR
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