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Online edition of India's National Newspaper Thursday, June 28, 2001 |
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Treasures from the past
ART AND CRAFT collector Lily Vijayaraghavan's Kerala craft
collection is mesmerising. The purity of line, curve and concept,
and the fluid shapes in metal, stone and wood reflect a rich and
unique culture. Each exquisite piece - from rare polychrome wood
panels to Ayurvedic medicine bottles in deepest blue - reflects
the pride and passion of the craftspersons. It is a passion
matched by the collector's interest in the craft objects of
Kerala, which, according to her, "have immense beauty in their
simplicity without an elaborate pattern." Her search has taken
her to remote corners of Kerala, into alleyways and homes from
where she has built up her collection.
Walk into her lawn and a graceful 6 ft tall bell metal lamp with
branching 'diyas' greets you along with an old urli filled with
frangipani flowers. Inside, an ornately bejewelled mortar and
lime Lakshmi sends auspicious vibes and a range of breathtaking
bell metal hanging lamps festoon the wall. As rare as the
Bhagwati hanging lamps are their fantastically crafted chains.
Lily's lamp collection includes a one-of-its-kind Krishna lamp
with an unusual base and 'Vanchi' boat lamps.
Scattered all over Lily's home are rare craft objects - pretty
turned wood and vegetable dyed 'dowry boxes' with exquisite
hinges, banana leaf brass 'thals', a nice little wooden paandan
polished to a metal gloss. A fabulous old salt and pepper set
shaped like twin birds confers special grace to an antique
sideboard, and there is a cosmetic container for the goddess
featuring a pair of containers.
Kerala's distinct cultural and craft identity can be seen in bell
metal 'sasthas' as well as a set of brass breast plates worn by
men as part of the Bhagvati puja ritual. Equally beautiful are a
pair of bell metal 'meditation mirrors,' embodying a tantric
concept. But the prize of the collection is the polychrome wood
cut panels and artefacts. Especially beautiful is a delicately
carved panel depicting "Ramapattabhishekham" with Rama in a
Kathakali style costume and headgear. The piece painted with soft
vegetable dye is a statement of style. Originally hung over the
entrance of Kerala homes, such polychromes are now part of
history, both the craft and craftsmen having vanished from the
cultural scene. Another arresting polychrome piece is a subtly
coloured vibhuti holder in the shape of a magnificent Garuda...
Rarity, one-of-its-kind appeal, exquisite craftsmanship, history
- Lily Vijayaraghavan's Kerala collection combines all this and
more. She scrutinises each piece before she puts it into her
collection. Says Lily: "When I find a piece. I want to know about
its history, function, etc. My search is like a treasure hunt."
Does she have plans to share her knowledge and her collection of
Kerala crafts with the general public? "A book is on the cards,"
says Lily. "Meanwhile my house is open to lovers of art..."
PUSHPA CHARI
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Section : Features Previous : Gem of an idea Next : Colours for high flyers | |
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