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DTS: The New Sound of Movies
1993. THE year of Steven Spielberg and his Jurassic Park.
Dinosaurs seemed to roar from right behind us in the theatre; and
at times, the eerie sounds seemed to come from a distant corner
outside the walls.
The year that changed the way many looked at Cinema. Sounds
redefined the movie experience and have helped to bring the
audience back. Sound engineers, working with various formats
including DTS and Dolby can take quite a bit of credit for the
turn-around.
Riding on the Dinosaur-mania was Digital Theatre Systems (DTS);
the technology which transformed the way we heard sound, in a
movie theatre.
Three years later, the Oscars came after the technology - DTS was
honoured with a scientific and engineering award for 1996 by the
Academy of Motion Picture Arts and Sciences.
Many experienced the possibilities of DTS in some 70 mm films -
Armageddon, Godzilla, Independence Day, Star Wars, The Lost
World, Titanic, Tomorrow Never Dies and Vertigo. The system can
be used to provide digital audio track across a wide array and
formats such as 70 mm, 35 mm, 16 mm or even 8 mm.
The change in the movie experience came to theatres next to our
neighbourhood soon enough. Just over seven years since its
launch, 32 of the 65 theatres in Chennai have installed DTS; the
worldwide figure stands at 18,416. DTS installations continue to
grow at the rate of about 200 units per month, and an average
domestic release presented in DTS captures about 2,500 screens.
Over the last five years, major motion picture studios and
producers have released more than 950 films in the format. ``DTS
system brings excellent quality digital sound to the movies. The
process sets the standard of quality for cinema by delivering an
exact copy of the studio master recordings. Now every moviegoer
can hear the sound exactly as the director intended,'' says
Mr.Mahesh Mahadevan of Real Image, the company which licences the
format and markets playback.
Recently DTS celebrated the 500th theatre in India joining the
DTS fold. Top DTS executives, Andrea Nee, vice president and
General Manager, DTS Cinema Group and Jim Murray, director,
worldwide sales, DTS, were in the city to mark this milestone.
``Over a 100 films have already been released in the DTS format
in the country. Though there are other formats for sound too,
because of its peculiar features, DTS is the most popular
equipment here, as anywhere else in the world,'' says
Mr.Jayendra, also of Real Image. ``Also since DTS prints have a
conventional stereo optical track as well as the DTS timecode, a
single inventory of prints can be used for all theatres. The
process itself makes digital sound a practical release for all
movies,'' he adds.
A newer, more advanced version of DTS has also emerged now. DTS-
6AD delivers a complete solution or digital and analog sound
playback in theatre, by combining the functions of a cinema
processor, 6-track digital processor and booth monitor into a
single 4-unit-high package system. Two theatres in the country
have installed the system already - Mappillai Vinayagar Theatre
in Madurai and Sampige Theatre, Bangalore.
(By R. K. Radhakrishnan)
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