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Online edition of India's National Newspaper Saturday, February 12, 2000 |
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Opinion
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From Benares to Bhopal
IN INVITING FILMMAKER Ms. Deepa Mehta to shoot her controversial
film - Water- in Madhya Pradesh and promising her adequate
security to do so, its Chief Minister, Mr. Digvijay Singh, has
sent a forceful signal to that fanatical quarter which, after
having forced the discontinuation of the shooting in Varanasi by
resorting to violence, is now threatening to prevent it from
being filmed anywhere in the country. Initiatives such as this
are extremely valuable - particularly in a milieu where rabid
elements take the law into their own hands, seemingly with the
complicity of those who are expected to enforce it. By
demonstrating a willingness to take on the fanatics, Mr. Singh
has displayed a courageous resolve which has been totally missing
on the part of both the Central and the Uttar Pradesh
Governments.
It is not clear whether Mr. Digvijay Singh's bold offer - which
has been followed by a similar invitation from the former Chief
Minister of Bihar, Mr. Laloo Prasad Yadav - will be accepted by
Ms. Deepa Mehta. His invitation has been accompanied by naked
threats from the same bigoted quarters. The cacophony, if
anything, has become only uglier with those such as the BJP's
bellicose MP, Ms. Uma Bharati, warning that the crew of Water
would be stoned if shooting were to take place in Madhya Pradesh,
which is also her home State. The protestors have clearly upped
the ante; quite apparently, they have begun measuring their own
(brute) strength in terms of how successfully they can prevent
the filming of Water. This is why it is so important that Ms.
Deepa Mehta's tale of widowhood and prostitution is not aborted
but made. After the controversy of the kind the nation has
witnessed, Water is no longer just another film. It is a test of
whether freedom of creative expression will prevail over the
forces of repression and censorship. Perhaps more importantly, it
is a test of whether the rule of law will prevail over rule of
the mob.
Given the dimensions that the controversy over the film has
attained, Mr. Vajpayee's Government cannot behave as if it is a
mere law and order problem that should be dealt with at a
localised level. The seemingly accommodative position it has
struck - for example, according fresh clearance for the script of
the film in exchange for a few marginal cuts - is beginning to
look more and more like a farcical disguise. It is reprehensible
that not one stern word emanates from the higher echelons of the
Central Government when a senior BJP leader such as Ms. Uma
Bharati speaks the language of violence or when bigwigs in the
Ram Prakash Gupta Ministry openly side with those who ransacked
the sets of Water at Varanasi. Quite remarkably, Mr. Vajpayee,
who arguably represents the relatively more moderate face of the
BJP, has refrained from directly condemning those guilty of
violence or those who have adopted threatening postures. His
silence is now beginning to assume a deafening character.
The controversy over Water appears to have totally blurred the
somewhat indistinct edges between the moderate and the extremist
groups within the Sangh Parivar. It is time that the Prime
Minister and other BJP leaders who occupy high positions in the
Government clarify exactly what their position is vis-a-vis the
violent protests against the film. The manner in which the
controversy has played itself out points at only two
possibilities - that the BJP bigwigs at the Centre have been
either totally unable to control the rabid elements in their own
parivar or that they have arrived at a furtive compact with them.
Either way, it shows up those who run this country in an
extraordinarily poor light.
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