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Film Review: ''Elizabeth''
AFTER A long drawn battle with the Censor Board, ``Elizabeth'' is
finally seeing commercial release in India. But perhaps the wait
has been worth the while. For Shekhar Kapur who was at the helm
of things, did something that not many from India have done -
direct a Hollywood production.
England in the 16th Century is plagued by political and religious
(Roman Catholic vs. Protestant) strife. Queen Mary Tudor (a
brilliant cameo by Kathy Burke) is childless. But she and some
others do not want her half-sister Elizabeth (Cate Blanchett) to
ascend the throne for they believe she is a heretic. She is
arrested on charges of anti- relgious activities. But the queen
dies and Elizabeth is crowned queen.
What follows is a series of moves and counter-moves by the
council of ministers led by the Duke of Norfolk, to dethrone this
pretty, petite queen. But it is not such an easy task, for
Elizabeth, who as she herself says ``may be a woman. But I have
the heart of a man''! Indeed, she did. History tells us that her
rule, of nearly 80 years, is considered the golden period in
England.
The film made nearly two years ago, got a mixed response then.
While several critics decried it as being historically
inaccurate, others marvelled at it for its craft and for bringing
freshness to the stodgy costume drama.
While the historical aspect can be left to the learned, the film
is most surely a very well crafted one. Shekar Kapur and
cinematographer Remi Adefarasin have brilliantly captured the
turmoil and uncertainty of the era as well as the travails of an
innocent young girl who goes on to become the ruthless `virgin'
monarch. Kapur, with his flamboyant Bollywood flourishes, gives
the film an operatic feel a la ``Godfather''. In fact the final
bloodbath played out to Mozart's `Requiem', seems to be heavily
inspired by Coppola's masterpiece.
Australian Cate Blanchett as Elizabeth lives and breathes the
role. She infuses energy into the role and it is not just make-
up, but her expressions that mark the transformation from maiden
to queen.
Of the supporting cast, special mention must be made of Geoffrey
Rush who plays the Machiavellian Sir Francis Walsingham,
Elizabeth's trusted advisor.
The rest of the distinguished cast includes Joseph Fiennes as
Lord Robert Dudley, Elizabeth's lover, Sir John Gielgud as the
Pope, Sir Richard Attenborough as Sir William Cecil and
Christopher Eccleston as the scheming Earl of Norfolk.
As one watches the drama unfold on screen, one is drawn into the
web of deceit, plotting and political intrigue and that makes
this film really an enjoyable one.
SAVITHA PADMANABHAN
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