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Business tycoons and blown-up egos
A MAN IN FULL: Tom Wolfe; Jonathan Cape, London; Received from
Ajay Parmar and Co., Arun House, 2/25, Ansari Road, New Delhi-
110002. œ20.
THERE SEEMS to be rolled into this volume more novels than one,
and Tom Wolfe has thus given us a mega edition with a specialist
presentation of contemporary features of present-day American
society. Narrations have, therefore, a real life flavour. The
reader is able to readily visualise the ways of the so-called
business tycoons, who are used to revelling in high style and
going about with a halo of greatness, while, in fact, all are
carried with borrowed funds! Charles Croker, as the title itself
suggests, is ``A man in full and strides like a colossus with
wealth and power that go to make him a king in Atlanta, Georgia.
A threat of disaster to his financial stability is the start of a
series of problems to be faced by this big personage. All the
blown-up ego of this lofty man comes hurtling down when his fancy
for continual expansion leads to an unwise investment in Croker
Concourse, a huge office-complex in the city's outer perimeter.
Evidently, this was the last straw to break the financial camel's
back.''
Having grown to a towering figure in Atlanta, Charlie is not able
to take on the impending humiliation and likely bankruptcy, when
suddenly confronted by the bank authorities, who manage to attach
his plane with all its decorations right when he was proudly
coming down with some high-ranking guests after the landing.
As pressure mounts for paying back arrears, his advisers
recommend reduction in the lavish administrative expenses. A lay-
off at Croker Global Foods is the first step, and the unfortunate
victim of circumstances is Conrad Hensley, a hard-working,
talented young person, who is nearly pushed into utter poverty
rendering his wife to struggle with two kids. How much, indeed,
the law can harass the poor and helpless! This is clearly brought
out by the author's devoting much coverage to a series of events
around Conrad. A simple offence of his in wrong parking, builds
up into an unbelievably serious matter that involves him in an
inadvertent ``crime''; as a result, he is forced into Santa Rita
Jail, where conditions are awful. The sufferings of this quiet
individual amidst the lowly criminals present there raise as much
horror as pity, when we go through the lengthy detail given in
the book. This horrible situation has made the author bring in
nature to intervene! An unexpected earthquake occurs helping an
automatic jail breaking, because a large portion of the structure
is destroyed.
A book on stoic philosophy which Conrad comes across during his
internment in Santa Rita, forms a turning point in the entire
trend of the narrative. Conrad absorbs the new philosophy, and is
virtually transformed into a fresh personality, with saintly
feelings predominating, in his thoughts. Now a series of rapid
events follow beginning in the jail break, then taking refuge
among strange immigrants, and finally working for Carter House
Care, that soon finds him transported to Charlie's Turpmtine farm
house in order to attend on the businessman, now incapacitated
physically following a knee operation and mentally weakened by
the deep dents appearing on his financial credibility. In the
course of frequent togetherness between Conrad and Croker, the
latter gets converted into a stoic, he learns to suppress his
ego, and develop a stoic's nature of detachment. There comes in
him a dramatic realisation of the futility of clinging on to
worldly possessions.
What a different person this once powerful business magnate has
turned out to be. He soon discovers the hollowness in the offer
of the black lawyer, Roger Too White, providing deliverance from
all the pressures of creditors in exchange for his testifying in
favour of Fareak Fanon, the dashing football player of Georgia
Tech. There was an extreme fear that the accusation of ``date-
rape'' by this black sportstar on Elizabeth, daughter of Imman
Armholster, a well-established businessman from the white
community, if carried to the logical legal end, might trigger off
a racial riot in Atlanta, and upset the delicate balance in the
racial harmony.
The developments involving ``Canon'' Fanon contribute to a
sizeable part of the book. Commencing from the Freaknic
procession in Piedmont, a prominent white area, and climaxing
into a noisy party, it ultimately thins down to a situation where
Fanon and Elizabeth get intimately associated.The writer has
cleverly merged this issue with the portentous happenings to
Charlie and makes the lawyer indulge in some ``horse-trading''.
That Crocker, blind in his ego, nearly fell into the trap and was
prepared to speak for George Tech's star player even at the risk
of betraying a close friend in Armholster, only confirms what is
commonly observed in actual practice; the rich and powerful
cannot accept any lowering of their glory and would go to any
length to retain their importance.
The author an adept in the presentation of present-day social
patterns, handles three themes in this bulky book, and keeps the
reader's attention riveted to pages and pages of narration.
Nevertheless, there is bound to be some disappointment because
the author has chosen to abandon the story of Conrad half-way,
after pursuing his adventures for a considerable length. The same
feeling occurs, to some extent, as we think of Charles Croker,
for, what happens to him is left unsaid. Written in easy moving
style and imperceptibly taking on a great deal of the
``slanguage'' of the very low in society, the book provides a
real means to understand and interpret the life and behaviour of
people, high and low, in a typical American city.
A. V. SWAMINATHAN
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