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Madras miscellany
Will it be more than talk?
SEVERAL DISCUSSIONS have been held during the past few months on
restoring and renovating two of Madras' historic landmark
buildings, Ripon Building, the seat of the oldest municipal
corporation in Asia, and, adjoining it, the derelict Victoria
Public Hall, in its heyday known as Town Hall. I'd have been
happier if the discussion had taken in the whole area, once known
as People's Park, including My Ladye's Garden, the Railways
pavilion and grounds (the l902 Moore Pavilion of what was once
the Ashley Biggs Institute), Central Station, Nehru Stadium and
the Indoor Stadium, and the market meant to replace Moore Market.
But I suppose we should be thankful for small mercies and hope
that the present discussions prove more than mere talk and that
work really gets going on renewing these two heritage buildings.
If that happens, the renewal of the entire precinct is not likely
to be too far off in the future.
In the case of Ripon Building, I have been intrigued by the fact
that two different discussions are going on side by side. One
with a team of engineers and architects, the other with the
College of Arts and Crafts. I hope that discussions with the
latter are in the hope that some of the wisdom of Robert Fellowes
Chisholm, who designed many of Madras' 19th Century landmark
buildings, will emerge from the institution he was the first head
of. I hope they aren't with the hope of superimposing something
out of the College's vision of an even earlier past.
The Corporation, first housed in Fort St. George in what is now
the Tamil Nadu-Kerala military headquarters and then in Errabalu
Chetty Street, moved into Ripon Building when it was declared
open in l9l3 after four years of work and Rs. 7.5 lakhs that had
gone into its building. Built by Loganatha Mudaliar, the first of
its three floors has a 25,000 sq.ft. area. The tower of this 252
x l26 sq ft building is l32 ft tall and its clock is eight feet
in diameter. Lord Ripon, Viceroy of India l880-l884, is
remembered in name and statue here for introducing local
government in the country during his tenure. Though drawing
greatly from Indo-Saracenic, Ripon Building's classical lines and
gleaming white are a throwback to the early days of Western
architecture in India. Few buildings reflect the hybrid better
than this magnificent building, whose renovation and renewal in a
manner closest to the original should be an imperative of the
Corporation.
Bringing back the crowds
ONCE IT was Madras' most popular theatre. This was Pammal
Sambanda Mudaliar's stage and here the Suguna Vilas Sabha invited
the finest players of Tamil theatre to exhibit their talent. It
was also the venue of numerous pantomimes, dance recitals and
balls. The best orators of Madras, when English oratory was the
hallmark of the South Indian public figure, spoke from its stage
regularly at a time when public lectures would fill a hall.
Besides all these activities, it was meant for 'many other
purposes conducive to the moral, social and intellectual welfare,
or the rational recreation of the public of Madras'. A full house
would ensure seating for 600 in the hall and 200 in the balcony.
This was the Victoria Public Hall as earlier generations knew it.
But to most of them it was the Town Hall, a hive of entertainment
where there was something going on every evening. Any restoration
project must ensure that this is what the Hall must once again
be, a venue for meetings and entertainment, serving central and
north Madras.
Built to honour Queen Victoria on her Golden Jubilee in l887, the
Hall was inaugurated that year by Lord Connemara, the then
Governor. Built to the plans of Robert Chisholm by Namberumal
Chetty, to whose contracting Madras owes many of its handsomest
buildings, the Hall came up in less than a year, thanks to the
drive of Sir A. T. Arundel, the then president of the
Corporation, and the generosity of Rajah Sir Ananda Gajapati, the
Maharajah of Vizianagaram who led the donors' list by a handsome
margin. From that time, the Hall has been managed by a Trust,
chaired by the Sheriff of Madras, and with substantial
representation from the Vizianagaram family and some from the
Corporation. With the Sheriff's office no more, the Corporation
has been playing a greater role, but it has not pointed the way
to restoration.
In 1993, when Suresh Krishna was the Sheriff, he had a couple of
rooms in the Hall restored to demonstrate what could be done. One
of the artefacts he had restored at the time was the Trevelyan
Memorial Fountain in the garden. Charles Trevelyan was the
Governor of Madras (l859-60), who gave the City the ll6-acre
People's Park and drinking water. But when he refused to go along
with the Raj's command to introduce income tax in his Presidency
following the example of the other Presidencies, he was recalled.
The fountain in the Town Hall precincts was virtually in ruins
when Suresh Krishna saved it. Not much has happened since then,
but a year or so ago Krishna was requested to chair a committee
to look into the question of restoration and renewal. And he
sought INTACH Tamil Nadu's help in drawing up a restoration plan.
With no original plans of the building available, any new plan
would have involved considerable erection of scaffolding to
arrive at exact measurements. Photogrammetry was the solution,
but who had the expertise? It was purely serendipitously that
INTACH discovered that the technique was available in our
backyard, so to speak.
When an INTACH member took a visiting German conservation
consultant out for lunch, she discovered in the course of
conversation that the faculty he had been working with at Anna
University had just what was needed. With that discovery, fair
stand the prospects of a proposal from INTACH. If it comes
through, and I hope it will be sooner than later, I hope the
Victoria Public Hall Trust and the Corporation will get together
on seeing the proposal to a successful conclusion. May the Town
Hall buzz with activity once again. We can dream, can't we?
A search for a biograph
A REVIEW by Prof. S. Ambirajan of a book published in Australia
two years ago got me interested enough to go out and search for
it. But hunt as I might in the Madras bookshops during May, nary
a sign of 'The Polyester Prince' could I find. Which was
surprising, because the book is said to be 'a most engrossing
biography of Dhirubhai Ambani'. Written by an Australian
journalist, Hamish McDonald, who met all the members of the
family, besides scores of others, and published by Allen and
Unwin, Sydney, it's a book that would have done well anywhere in
India, but all the bookstores enquiries made in Madras were not
very sure why copies of the book were not available in India.
Ambirajan cites a rumour and accepts as plausible its content.
Orders were given to buy up copies of this book wherever it is
sold in India only to destroy them'. Most booksellers I spoke to
felt that was rather far-fetched, nevertheless they were unable
to explain why for two years the book has not been available in
India nor its contents publicised or reviewed.
Writing in the 'Industrial Economist', Ambirajan says, 'Did a
poor schoolmaster's son from a small town in Saurashtra, with
hardly Rs. 25,000 with him in l958, have any chance against a
combination of the powerful Parsi business families...and Marwari
merchants, not to mention the avaricious political class
controlling the levers of a permit-licence-quota raj...?
Dhirubhai Ambani could have led the virtuous life of an ethical
yarn dealer in the backyards of Bombay and lived in a spartan
chawl.
But he chose not to and tried to claw his way up the business
pole. Naturally enough, the established vested interests struck.
It was an unholy war with no-holds-barred. 'Surely a man willing
to take on that kind of opposition is big enough not to worry
about how McDonald 'graphically described' the battles and how
they were won? Surely he'd want the Business School boys to read
all about how the untutored trader from Aden became so successful
as to be the only Indian businessman to get a private meeting
with President Clinton during the President's recent visit to
India?
With a copy coming in from abroad here and another there, you
really can't stop the flow of information, can you? Perhaps we'll
yet get to read the Ambani story freely. Meanwhile, try
amazon.com, where it's got a five-star customer rating, excellent
reviews and a U.S. $12.76 price.
S. MUTHIAH
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