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Etched in memory
"Guide" is one of the wonderful classics ever made in Hindi.
Released in 1965, it remains etched in my memory after all these
years. I still remember most of the frames, most of the dialogues
and certainly all the songs.
Why?
"Guide" has a great story. Adapted from an excellent novel,
written in English by R. K. Narayan, the film hardly deviates
from the text, although the author is said to have objected to
one thematic variation.
But to me that hardly matters, because the screen narrative
remains gripping, despite the change. Raju is a tourist guide,
whose gift of the gab enthralls just about everybody who visits
his town. Rosie, too.
She is eventually drawn to him when she finds her archaeologist
husband, Marco, in love with the stone and the sculptures in the
caves he discovers. In a dramatic scene when she confronts him in
a cave and screams that she wants to live unlike the rock
figures, Rosie and Marco find the chasm too wide to bridge.
Raju helps Rosie become a dancer, a dream that a tyrannical Marco
had kept crushing. But the path of love seldom runs smooth. The
riches that she acquires as an artist pushes Raju into a life of
vices, and when he, in a moment of sheer weakness, forges her
signature on a cheque, it signals the end of a beautiful
relationship.
When Raju finally comes out of jail, he is mistaken to be a holy
man in a drought-stricken village. Forced to starve for 12 days
in the belief that this would bring rain, he transcends to
another level.
"Guide" can be an enriching experience: it gives us a taste of
colonialism, of capitalism and, ultimately, religious faith.
Peppered with brilliant songs - "Tere mere sapne ab ek rang hai"
and "Din dal jai" - the movie was crafted with feeling by Vijay
Anand, who shaped his elder brother Dev Anand's celluloid
personality and made some of the banner's (Navketan) best
pictures like "Tere Ghar Ke Saamne", "Jewel Thief" and "Tere Mere
Sapne" (based on A. J. Cronin's "The Citadel").
Dev Anand, who plays Raju, probably gave his career's best
performance as the smooth-talking guide, who faces disappointment
and tragedy with remarkable grace. Dev's later works suffered
from an excessive mannerism that made one role indistinguishable
from another.
Waheeda Rehman as Rosie may not have been as hauntingly beautiful
or powerful as in some of Guru Dutt's films ("Pyaasa", "Sahib
Bibi Aur Ghulam"), but, nonetheless, she makes a splendid
contribution in "Guide". Her extraordinary ability to emote, her
greatness as a dancer and her presence made her an unforgettable
actress.
If some of you have not seen "Guide", well, it is time you did.
GAUTAMAN BHASKARAN
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