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Picture perfect Himalayas
MOUNTAINEERS conquer peaks, they capture them on camera. For
years now, the Himalayas have been luring lensmen for their
dramatic landscapes, quaint lifestyles, weather-worn faces and
Buddhist gompas. The beauty of the region can transform an
amateur into a professional photographer. And a professional
photographer into a creative artist.
Sweeping landscapes, high altitude lakes reflecting the bright
sunrays, silhouettes and wrinkled faces of hill-folk have been
captured in all their pristine beauty in these exhibitions and
glossy books.
The latest to fall to its charms is Prabuddha Dasgupta. Taking a
breather from the world of glamour, he trains his camera on the
breath-taking sights of the Himalayas, and the result is a new
coffee table book, simply titled 'Ladakh'.
"I went on an assignment to Ladakh in 1995 and got carried away
by the natural beauty. Since then I have been re-visiting it
almost twice every year," says the photographer known for his
Kamasutra advertisement campaign.
"The black and white pictures articulate my feelings about the
pristine land. They are my labour of love and have special place
in my heart and soul," says Prabhudda.
Ladakh has touched the soul of Benoy as well. Behl's unusual
mission in life is to traverse to remote parts of the mountain
district in search of ancient Buddhist monasteries. His frequent
visits have yielded astounding results. He has re-discovered
monasteries some dating back to the tenth and eleventh centuries
which are lying in ruins in Leh, Zanskar, Kargil and Nubra.
Many of his pictures of Gompas (monasteries) and Lhakhangs
(temples) are essays in ancient architecture and culture. Behl
has photo-documented 51 monasteries and discussed with monks,
scholars and Rinpoches (heads of the monastic sects) the urgent
measures required for their preservation. Some of his pictures of
Thangkas (Buddhist paintings) reflect the art, culture, life-
styles and spirituality of the Himalayas of the tenth century.
Unlike Behl, for three daredevil motorbikers-cum-photographers
the search may not have been as divine. They have consciously
avoided landmarks created by humans like monasteries and other
structures.
Five years ago when these three photographer friends - Dinesh
Krishnan, Pradip Bhatia and Gurinder Osan -- went biking to the
Himalayas they began a journey that has not ended since then.
Their mission: Not just to soak in the rugged terrain and
discover unexplored places, but to document on camera the essence
of the Himalayas.
The many journeys of these three camera-and-motorbike junkies
recently resulted in an exhibition titled "Endless horizons"
which was put up in Delhi and is now on its onward journey to
Chandigarh, Mumbai and Bangalore.
So would Darshan Jit Singh, a colonel with the Indian army. His
interest in Ladakh blossomed in 1989 when he was posted to the
region. After taking command of the battalion, he went on jeep to
explore the magnificent landscape and interact with villagers to
get a first hand impression of the region.
He also came across many interesting people, some of them in
their late nineties still going strong. One such person was 95-
year-old Memelele of Chilling village - the only surviving
craftsman from a Gharana whose ten generations have been engaged
in making utensils for the erstwhile royal families.
"I mingled a lot with the local people who narrated memorable
anecdotes and guided me to some of the most photogenic areas of
the region," says Col. Singh whose photographs of Ladhak were on
display at a Delhi gallery recently.
Both Col. Singh and his wife make an interesting pair. While
Singh loves shooting, wife Reena does the research and they have
published an authoritative book on Ladakh. The coffee table
glossy has some exotic pictures of the region with an account of
Ladakhi life and people.
"We will cherish Ladakh's memories all our lives. The warmth and
hospitality showered by the locals is unforgettable," says Col.
Singh.
Ladakh has clearly mesmerised the soldier-photographer. He finds
the serene and tranquil natural atmosphere inspiring for his
creativity. Even now when he goes back, his camera is always
slung on his shoulder. For, he never knows when the need will
arise to freeze a moment in immortality.
Most of these photographers say that though the scenery spoils
you for choice, creativity lies in looking at them from fresh new
angles. And when the place happens to be the Himalayas with their
lofty cliffs, meandering rivers and gushing springs, their
pictures break into a dance.
SURABHI KHOSLA
II year student, Lady Shri Ram College, New Delhi
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