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'Basic Needs' pavilion a draw at Hanover
By K. Kannan
NEW DELHI, AUG. 23. In his famous needs hierarchy, sociologist
Abraham Maslow placed these in two categories postulating an
ascendance of these, with psychological and spiritual needs
arising only after physical needs were met.
However, experience shows that material and non-material needs
exist simultaneously and are not mutually exclusive of each
other. As Mahatma Gandhi said once: ``There is enough on this
Earth to meet every man's need but not enough to meet even one
man's greed.''
To draw attention to the issue of sustainable human development
in a unique manner, Mr. Rajeev Sethi, a Capital-based
scenographer, was commissioned by the German Government to
conceive, design and install the ``Basic Needs'' pavilion at the
on-going Expo 2000 at Hanover in Germany, which began on June 10.
With approximately 200 million US dollars spent for the thematic
area in nine pavilions, the ``Basic Needs'' pavilion was the
largest single design commission to be given to a team wholly
based in India. The other scenographers included major names like
Jean Nouvel, Francois Schuiten, Toyo Ito and Antoni Miralda.
The ``Basic Needs'' pavilion is being hailed by dignitaries, the
media and visitors alike as the apex of the Expo and a must-see
for those looking for content, substance and inspiration. ``While
conceiving what constitutes basic needs, we asked ourselves the
question: To live what do I need?'' Rajiv says.
Introducing the designer to a distinguished gathering at the
India Habitat Centre last evening, Ms. Shabana Azmi, Rajya Sabha
MP, said: ``I was one of the few of Rajiv's friends who was
privileged to have gone to Hanover, and seen the Basic Needs
pavilion. It is simply superb, to say the least.''
``Three years of intensive research, many workshops and exchange
of ideas and travel to most parts of the globe has resulted in
this multi-layered presentation on what is really basic to the
survival of our world and how today we must deal with issues of
empowerment and sustainability,'' says Rajiv.
The visitor to the ``Basic Needs'' pavilion goes through a series
of stimuli, inspirations and experiences in a scenography that
attempts to be cohesive in content and resonant with emotion. The
pavilion is as down to earth as it is philosophical and as
contemplative as it is matter of fact.
A wide variety of media, styles, divergent aspirations, cohere
into a single presentation. Involvement of local residents,
societies and communities, public institutions and governments,
leaders -- spiritual and temporal -- laymen and experts in
projects that meet ``Basic Needs'' from more than 40 countries
have been woven as an integral part of the celebration.
This unique cultural tapertry of the world under one roof pleads
for a more sustainable society and warns that hedonism will push
the world into an abyss of indulgence. Hundreds of artists,
artisans and performers, sometimes in far-flung villages, come
together in a celebration of empowerment and sustainability.
``The central message of the Basic Needs pavilion is that poverty
is more than low income and wealth is more than material
possessions,'' says Rajiv.
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