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Film Review: Kannukku Kannaga
A heavy dose of melodrama ... that is how one can describe
director S. Dayalan's debut venture. Unlike in most films where
the heroines shed buckets of tears, in ``Kannukku Kannaga'', it
is the hero Murali who seems to have used more glycerine!
The story is about how a horoscope can destroy the strong bond
between siblings. So we have the rich, loving `anna', Dharma
(Murali) and his only `thangachi' Devi (Devyani) who `will give
her life for him' (sic!). Enter Arun (Raja). He wants to marry
Devi and vice versa. So `anna' goes to the `josiar' (Charuhasan)
to match the horoscopes. But the astrologer predicts doom. If
Devi and Arun have a male child, Dharma will die! But Dharma is
willing to `sacrifice' his life for the sake of his sister's
happiness!
So Devi and Arun marry and Devi delivers a son (obviously,
otherwise the story can't go on!). After a `family' song that
sounds exactly like an old Hindi number, the baby grows up to be
a naughty, talkative boy who is extremely fond of his uncle. This
irks father Arun (naturally!).
And reels of weird coincidencs later, Arun concludes that Dharma
wants to kill his child. So he walks out of the house with wife
and child in tow. Then Devi learns of her brother's `sacrifice'.
So it is her turn to do something. So she decides to kill her
child and herself (too hard to digest?). And the tale goes on and
on...
It is Murali's film all the way. He is restrained through most
part of the film. But does he have to cry so much? It is a
routine role for Devyani as the sister, who is all smiles in the
first half and all tears in the second half. Vindhiya as the
hero's fiancee, has nothing much to do. The little boy looks cute
but somehow it seems unnatural to hear such a small kid mouth
such heavy dialogue!
The director could have easily done away with the comedy track
provided by Vadivelu. He is not only crude, but too loud. Such
scenes do not do much to move the plot ahead. The only redeeming
factor is the pleasant camera work by Thankar Bachan. Deva's
music score is ordinary and functional.
This domestic drama suffers because of lack of originality and
exaggerated sentiments.
SAVITHA PADMANABHAN
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