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Merchants bank on Bhoomi
BHOOMI IS out. Not earth.
Well, for those who have not heard of it till now, that is
India's first `World Music' album from the Merchant stable. These
are the music merchants, not the Ivory kind.
Salim and Sulaiman Merchant, composers, were in the city to talk
about their venture, which took close to two years to get out of
the record studios.
The arrangements are contemporary, but the feel is traditional,
say the Merchant-composers.
The vocals are by Ustad Sultan Khan, Achyut Thakur, Narottam Das
Baul, Zubeen Garg, Karsan Sagathiya, Seema Anil Saigal, Bhavdeep
Jaipurwale. And guess who... Shubha Mudgal!
If you don't catch some (or most) of the lyrics, don't worry. You
are not supposed to. It's in Brujbasha, Marathi, Bengali,
Assamese, Gujarati, Dogri and Rajasthani - in that order. For
convenience, you could even say that language is irrelevant. The
music speaks...
Now, did we hear Lennon in the background. The Beatles man had
believed that voice was just another instrument. That's the way -
almost - that the Merchants have treated lyrics. The line you-
don't-have-to- understand-the-lyrics is old. Actually, it is even
infra dig to follow lyrics, hardcore musicians tell us.
It will still appeal to all types of listeners, because the music
banks on that infinite quality of Indian folk - a soothing effect
brought about by the mellifluous confluence of simple tunes
handed down the ages.
For the Merchants too that was the difficult part. They too had
only heard of most of the languages and were in no position to
make out the lyrics. Hence, the song selection took a long time.
Naturally, melody scored. The final selection of songs was made
on the basis of how they sounded.
Some of India's leading musicians make the instrumentation,
especially, the solo parts worth listening. Among those who have
played instruments include Ronu Mazumdar (flute), Karl Peters
(Keith's brother - on bass), Ulhas Bapat (santoor), Rajendra
Singh (swarlin), Niladri Kumar (sitar), Kurt Peters (drums),
Kalyana Barua (guitars) and of course, Ustad Sultan Khan
(sarangi).
``It started out as a total drum and bass album,'' says Sulaiman.
``We are keen on doing something with a progressive sound, using
authentic Indian music. Since the London Underground is creating
quite a buzz, that's the natural direction we drifted in,'' he
adds.
Enter Virgin records and the album firmed up. ``We sat a lot with
Ustad Sultan Khan,'' says Salim. ``He's a storehouse of
information on music and gave us some invaluable advice,'' he
adds. They recorded the album over four months in Mumbai.
The World experience has changed them, the brothers say. It has
given them quite a few ideas to work on. But much will depend on
how `Bhoomi' does. ``That will determine the structure of the
next project,'' says Sulaiman.
By R. K. Radhakrishnan
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