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Online edition of India's National Newspaper Friday, December 29, 2000 |
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Film Review: Manuneedhi
FILMS IN general have always banked quite heavily on the emotion
of revenge. Be it between siblings or mafia dons or scions of
business houses, revenge somehow seems to appeal to audiences.
Remember ``Sholay''? GR Gold Films' ``Manuneedhi'' too is about
love and revenge. Set in a rural ambience, the hero Chinnakannu
(Murali) plays the obedient nephew of a rich landlord uncle
(Nasser).
The `maama' asks the `mappillai' to woo and later wed the
neighbour landlord's (played by Napolean who sports a snow-white
wig) daughter, Poongodi (newcomer Prathyusha).
Maama's wish is mappillai's (that is how Nasser addresses Murali)
command. Chinnakannu wins the heart of not only the girl but also
her aged parents and is all set to marry. Just at that point,
maama gatecrashes into the party and stops the wedding.
But why? For that you have to see the flashback that is set in
the pre-Independence era and even features a British officer with
an American accent! You can guess what the rest of the story
would be like!
``Manuneedhi'' is directed by Thambee Ramiah, who has also penned
the story and dialogue. The story hardly moves in the first half
and most part of the second half is taken up by the flashback and
the long-winding climax. The songs (music by Deva) along with
Vadivelu's comedy track (as always, it is below-the-belt humour,
if you can call it humour) rudely interrupt the plot.
As far as acting honours go, Napolean delivers a subdued
performance while it is a routine role for Murali. For an actor
of Nasser's calibre, this is a role he can do in his sleep!
Others in the cast include Sitara and GR, who incidentally
happens to be the producer of the film.
``Manuneedhi'' has nothing new to offer. Just the same old plot
handled in just about the same old way!
SAVITHA PADMANABHAN
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