|
Online edition of India's National Newspaper Thursday, March 15, 2001 |
|
Front Page |
National |
Southern States |
Other States |
International |
Opinion |
Business |
Sport |
Science & Tech |
Entertainment |
Miscellaneous |
Features |
Classifieds |
Employment |
Index |
Home |
|
Entertainment
| Previous
Laudable effort
THE STORY of "Ethanai Manithargal" (episodes 251-512) goes
thus...
Dipti (Yuvashree) marries Dinakar (Rajasekhar) against her
mother's wishes. Shortly after, she walks out on him, when she
learns of his connections with Suganthy (Latha) who has financed
his new company. The latter has walked out on her alcoholic
husband and moved in with her four-old daughter, Anita, to live
with Dinakar. Ramseshan, Dinakar's friend, dies in a car accident
after having entrusted the upbringing and education of his two
children to Dipti. Trouble starts when the children grow up and
Anita puts pressure to know about her real father. This is
because she is let into the secret of her past by the villain,
Malaysia Vasudevan.
Dipti's younger sister, Kavitha has no issue. Consequently, her
parents-in-law want their son to marry his rich and vivacious
classmate, Priyanka. She is the daughter of a business magnate,
played by old-timer, K. Kannan.
Dinakar's love for Dipti does not diminish and Suganthy re-unites
the two. The latter's husband too reforms and their daughter is
instrumental in bringing them together.
Another widower, Deepan Chakravarthy enters with his young
daughter who develops an inordinate love for Dipti. She desires
her to become her mother.
At that point, Ramseshan's twin who demands a share in the family
property is murdered and the crime is foisted on Dipti by
Malaysia Vasudevan. Enter Manorama as the defence lawyer.
She brings to book the real criminal with a sparkle in her eye
and a twist on her lip. Manorama emotes exceedingly well. Since
Kavitha conceives, it is left for Priyanka to bring joy into
Deepan's life.
Thus "Ethanai Manithargal" draws to a close after driving home
good morals. It is often force of circumstances and communication
gap that causes villainy to surface, otherwise people are
basically good.
The script is far ahead of its time. Though divorce and
separation are on, still a healthy live-in friendship between a
man and a woman is not so much accepted or easily digested. There
is no separate track for comedy. The excellent dialogue is
periodically light when need be and thought-provoking most of the
other times. The characterisation is excellent especially that of
the powerful female characters.
Acting-wise, Yuvashree is good and Manorama is in her element.
Malaysia Vasudevan appears ill, fatigued and old. He presents a
sorry spectacle as a retired performer.
Deepan Chakarvarthy (son of former playback singer Tiruchi
Loganathan) does a clean job and renders a few lines of his
father's numbers melodiously. The old numbers tug at the heart
strings. Dipti's father (Durairaj) appears really pained with
life and mother (Revathy Sankaran) is fiery in the beginning when
she quarrels with her daughter's mother-in-law.
Rajasekhar seems listless so much so that we wonder as to why his
wife did not walk out of him earlier. Perhaps that is all the
character demands of him. The most important lesson driven home
is that there should be perfect understanding between couples for
a harmonious family life.
It is asked by many as to why the 7th Channel had to telecast
this - their stupendous effort -- on DD. Is it old time loyalty?
Their viewership and appreciation would have soared a hundred
times over if they had patronised any of the other satellite
channels.
It is common knowledge that the viewers stay far away ("door"
darshan) from DD.
It is heartening that in this age of commercial-mindedness, 7th
Channel turns out quality programmes.
Poignant moments
This was a lovely short story telecast on SUN TV recently. The
effort by 7th Channel Communications is a very laudable one. The
entire story narrated over half an hour, was crisp, touching and
true to life. The story explored the relationship between a
grandmother and her modern granddaughter.
The entire narration was almost shown as a flashback. The
granddaughter in her schooldays detested the idea of sharing her
room with her grandmother. She felt it was an outright intrusion
into her privacy. There was friction between the two over
everything, beginning from the volume of the blarring Western
music to the regulation of the fan speed. This persistent rub
gets the frustrated grandmother to leave.
Years later she returns to find that her granddaughter has grown
up and is more understanding and tolerant.
Just at a time when the two realise their affection for each
other and are getting to understand each other perfectly, the
grandma goes in for an asthmatic attack and is rushed to the
hospital.
She promises to return to spend happy moments with her new-found
friend, her dear granddaughter.
Devadarshini as the granddaughter and Vatsala Rajagopalan as the
granny stole the show. The others in the cast lent natural
support in this wholesome entertainment.
THARA MOHAN RAO
Send this article to Friends by E-Mail
|
|
Section : Entertainment Previous : Tale woven through dance | |
|
Front Page |
National |
Southern States |
Other States |
International |
Opinion |
Business |
Sport |
Science & Tech |
Entertainment |
Miscellaneous |
Features |
Classifieds |
Employment |
Index |
Home | |
|
Copyrights © 2001 The Hindu Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu |
|