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Quiet flows the river...


IT is a depressing anomaly of Indian publishing that the Collected Poems of Keki N. Daruwalla has not yet been brought out. Since his outstanding debut with Under Orion, in 1970, Daruwalla has published seven more individual collections. He has been shuttled back and forth between five different publishers. Oxford University Press, New Delhi, has published three of his books. But after OUP's stunningly boorish decision to shut its doors on poetry worldwide, the avenues for poets has dwindled even further. The situation is so bleak now that young poets in Mumbai, in a state of siege, have returned to the days of self- publication, a throwback to those grim years in the late 1970s and early 1980s when virtually no publisher touched a poetry manuscript.

But Daruwalla is not a young poet. He has been a proficient practitioner of the art for over 30 years and has enhanced his reputation with each passing book. Night River, is his eighth book. Though lacking the honed-down beauty and steely grace of his previous work, A Summer of Tigers, published five years ago, there are moments of brilliance in this book that surpass much of the earlier work. The masterly quality of the poems towards the end of the book may not wholly obliterate some of the surprisingly slipshod craftsmanship evident in the early part of the book, but it does serve as a palliative.

To fully appreciate this collection, it would be wise to start reading it about two-thirds of the way down, beginning with the section, "Stalking Mandelstam". Though stalking isn't quite the right word, the set of seven superbly sustained and heart-felt poems is a unique tribute to the great Russian poet, Osip Mandelstam, who suffered deprivation, humiliation and exile after his denouncement of Stalin in the early 1930s. Mandelstam eventually died in penury and icy desolation in a transit prison camp near Vladivostok in December, 1938. In "Through a Row of Doors", Daruwalla, in unconditional empathy with the poet, and with considerable skill, brings back that era of brutal repression:

They go through his poems looking for those bullets disguised as words.

This fear is lethal,
the word turning to lead.
You could aim at any forehead,
fire from any line, resting your muzzle
on the sandbag of a stanza.
This the Cheka always knew:
the rhyme as cartridge,
the poem as musket.

Later, in the same poem, Daruwalla writes:

Who can burn fire?
Can anyone set a match
to the fire of his poetry?

These are not rhetorical questions: in the stark simplicity of these lines is the profound truth of the lasting endurance of Mandelstam's poetry and of the heroism and courage of the man himself whose death questioned the conscience and integrity of the Soviet intelligentsia in the Stalinist era.

As Daruwalla puts it memorably in the last line of the set of poems: "History, lamp in hand, looks out for you." Darulla even has his own straight translation, of Mandelstam's famous poem, "The Stalin Epigram". Savagely sardonic, the poem led to Mandelstam's first arrest in 1934.

In the following, final section, "Island Poems", the Andaman Islands setting is a stage for Daruwalla to enter into a more reflective mood, though there are echoes of the previous poems in the very first lines of Prologue,:

A poem is an island in itself.

Heartburn and frostburn lie outside the page.

The power and immediacy of Daruwalla, hallmarks of most of his work, has been replaced here by a detached, ruminative style. The language is supple and the eye unerringly keen. But philosophical urges rest uneasily in Daruwalla. And a tendency towards an inappropriate and all too easy levity reduces some of the poems in the early part of the book to the level of pastiche or at best, mediocre satire. On occasion the lines are pedestrian, as in "Going Down the Night River":

if you decide to pull away
from the dust of your lives,
the best thing would be
to get hold of oars
and row down a river.

These are inexplicable blemishes from a poet who can rise to the illuminating heights of "Stalking Mandelstam". But there are some other fine poems too, most notably "Exile and the Chinese Poets", and "Contradictory You", in the early part of the book.

To return to the "Collected," after the Collected Poems of Nissim Ezekiel, Dom Moraes and A. K. Ramanujan, the time is right to raise the fourth wall in the edifice of Indian poetry in English. But where are the publishers?

MANOHAR SHETTY

Night River: Poems, Keki

N. Daruwalla, Rupa & Company, New Delhi, p.122. Rs. 95.

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