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Online edition of India's National Newspaper Tuesday, March 20, 2001 |
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Southern States
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'Siren' calling
FOR HIGH brow and pulp writers, perhaps, there is always a wish
of being in one another's shoes. While the former yearns to gain
popular acceptance plus the money and fame associated with it,
for the latter it's the recognition by the intelligentsia.
The stakes are obviously high when it comes to showbiz. Hence,
Vikram Mehta (Jayant Kriplani), an international award winning
scriptwriter shifts camp to the `crass commercial' Mumbai from
the `political fixers' Delhi with his family despite protests by
his wife Anu Mehta (Kitu Gidwani). As Vikram gets down to the
business of convincing his regular producer Malathi Menon (Vani
Tripathi) to make a film out of his latest script on a Indian
naval mutiny in Mumbai, barges in the glib talking, wheeling-
dealing Tony Gidwaney (Mohan Kapoor). Well, he "can't write a
word" but schemes to use his new friendship with Vicky to go
places.
The ease with which he weaves himself into the lives of the
Mehtas and makes their professional lives topsy-turvy was
hilariously portrayed in the dark comedy, `Siren City', based on
an Australian play by David Williamson. The `desi' adaptation by
Sandhya Divecha and directed by Lillete Dubey was presented at
the Taj Krishna on Sunday night.
Crackling wit, funny repartees, biting sarcasm on the snobbish
upper middle class, barbs at media, hollow principles of the
filmi duniya were all part of the play. Boy! Was it funny? Tony
puts the seed of "big money, hot shot visual sense and much fame"
into the mind of Vicky, rather successfully. Vicky is convinced
by Tony that his earlier scripts handled by Malathi were all too
"arty" and that the "naval mutiny..." should be made into a telly
serial.
Malathi and Vicky fall out as Tony and Vicky form a team much to
the disgust of Anu, not at all impressed with Tony. "He is using
you", she warns her husband and frets over his obsession to go
after the "disgusting" money. Of course, she doesn't mind when
the book of an OBC writer she was promoting gets published,
thanks to Tony's impersonated threat. More, the book also gets an
award by a women's body in Manila. Meanwhile, the serial's TRP
trips downwards and Vicky gets enamoured with Tony's `latest
girlfriend' Tuktuk Roy (Neha Dubey). Having got his name beside
Vicky, Tony aims big, runs into Malathi and uses his pompous self
to form a partnership with her. Soon, she is also ditched by Tony
for a Hollywood deal.
A much chastened Vicky decides to shed his new found pretensions.
But, Anu has her own ideas. She decides to sell the OBC book film
rights to Tony much against the author's protests and also fly
first class to Manila to stay in a star hotel - caution and all
the platitudes of poverty, women's empowerment, ethics, etc.,
thrown to the wind...
Jayant Kripalani was charmingly superb in the lead, Mohan Kapoor
had the audience eating out his hands with his over the top
characterisation, Malathi Menon and Neha Dubey were an ideal foil
and Kitu Gidwani was stunning. `Siren City' was what a good play
is all about.
By V. Geetanath
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