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Online edition of India's National Newspaper Sunday, April 01, 2001 |
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Who cares for ethics?
IN an age where media is market driven and operating in a
tremendously competitive scenario, figuring out what is ethical
and what is not is tricky. Is a sting operation ethical when it
uncovers corruption in public life? The public response to
Tehelka's Operation Westend shows that many feel the answer is
yes. The ends justify the means. But is Zee TV's purchase of
rights and simultaneous telecast of the tape footage across 15
channels - so that you can charge advertisers unprecedented rates
- ethical?
Much of the telecast material is after all unsubstantiated loose
talk. Lots of libellous statements are made. As Arun Jaitley
pointed out during a discussion on Zee News, following the
telecast of an episode of Operation Westend, arms middlemen can
be expected to brag about the big fish they know because they are
trying to impress the arms dealers they are negotiating with
about their high level contacts. You cannot peddle their boasts
as unimpeachable evidence. You could even argue that Tehelka
could have edited more of the libellous name dropping out of the
transcript and the accompanying tapes that were released.
A good news documentary based on the evidence in the Tehelka
tapes would have taken a lot longer to produce, and would have
meant something more than just buying rights of sensational
footage and slapping ads on to it. The BBC series on Watergate
was a painstaking effort. They took the evidence, the tapes, the
characters, did many, many interviews, and then produced a
rivetting series.
Hollywood, on the other hand, didn't lose any time in making the
most of the same scandal once it had been turned into a best
selling book. "All the President's Men" shown last month on HBO,
continues several years after it was made to pull in money from a
scandal involving the US presidency. And several years later with
"Primary Colours", another set of scandals involving another
president, the movie industry did the same. With fiction, even if
it is fiction based on fact, you can.
A news organisation is expected to behave differently though.
True, Zee News got together a panel after each episode of the
telecast of the Tehelka tapes. But that wasn't quite the same
thing as taking the evidence and doing a lot more cross-checking
and investigating to build a credible news series on it. All they
did was book ads on the primary evidence while the story was hot.
Any one who watched it saw as many ad breaks on it as the
celebrity episode of "Kaun Banega Crorepati" with Madhuri Dixit
and Sachin Tendulkar.
Similarly, is Zee TV's strategically timed announcement of a new
serial called "Pradhan Mantri", which has as its central
character a prime minister who comes to power "in the midst of
defence scandals", ethical? The quotes are from their publicity
materail The announcement was made exactly a week from the day
the story broke. The serial begins on Friday at 10 p.m. on Zee
TV. Zee says this series, directed by Ketan Mehta, has been under
preparation for nearly three months. Really! What a coincidence.
Tarun Tejpal of Tehelka has stoutly asserted that nobody knew of
the undercover operation they mounted, even in the month or more
that it took to transcribe and edit the material. So it would be
uncharitable to suggest that Mr. Ketan Mehta knew that defence
scandals would be timely by the time his serial went on air. Or
that Zee being on the inside track because it was negotiating to
buy a stake in the dotcom, knew enough to get saleable follow-up
products going.
Buffalo Networks, which incorporates the Tehelka website, will,
through its sister concern Buffalo Books, soon churn out a
potential bestseller on Operation Westend. What it boils down to
is this, should you have any qualms about making as much money as
you can off a scandal? What a naive question, all those TV
channels which bid for the footage of the Tehelka expose would
say. If you didn't, how would news channels stay in business?
Nothing much came of the hawala transactions probe by way of
convictions, but when the story broke three or four years ago,
the press lived off it quite substantially. In the bargain,
reputations were permanently besmirched.
It is tricky and somewhere along the line public response has to
take its share of responsibility for shaping the market that
serves up what it thinks the public will lap up. Television
ratings on some international channels touched an all time high
in the hours following Princess Diana's death. Was the watching
public being voyeuristic or were the TV channels exploiting her
death? Could you do the second without the first?
This may seem an unrelated example, but now we live in a country
where TV characters get killed off in the course of a story, and
then resurrected because viewers protest the death so vehemently.
I refer to Mihir in "Kyunki Saas Bhi Kabhi Bahu Thi". It is
bizarre. He was shown as dead at the site of an accident, the
body covered with a sheet, uncovered long enough by a weeping
uncle to confirm that it was him. Now we are told that, actually,
he ended up in coma in a hospital. A dead man comes back to life.
If there is an issue of ethics in story telling, it is unethical.
But it gets the ratings, because the market which is made up of
you and I and the rest of the neighbourhood cares a fig for
ethics.
SEVANTI NINAN
E-mail the writer at sevantininan@vsnl.com
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