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Online edition of India's National Newspaper Thursday, May 31, 2001 |
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The young veterans' canvas
A SERIES of surrealistic paintings in the Little India art
gallery give the tiny, informal room an eerie feel. The first to
strike you as you enter is the crucification of leaves.
In another of the paintings, the artist N.P. Shanker shows leaves
hanging from a noose; some still writhing. Set in a soft brown
parched desert and a contrasting bright sky, a knife is plunged
deep into the heart of a leaf with its blood soaking dry.
The leaves are disturbingly alive and squirming, even as the
artist depicts their rot and eventual death. The thick green
against the dry desert brown adds to the haunting effect. Pity
there was no lighting to heighten the mood, but even in a flat
afternoon sunlight, the colours stood on their own.
To think these are the works of almost a beginner in the
commercial art circuit! Four young artists from the Kalakshetra -
S. Anand, G. Magesh, S. Vijayalakshmi Vasan and Shanker - have a
joint exhibition at the gallery in Chamiers Road. Not the first
group show for the four, the exhibit boasts of a wide
experimental range and individual styles alongside the art
school-like works.
Anand's favourite style here seemed to be abstract landscapes,
with striking emphasis on the blades of grass and leaves. One
tiny canvas of his was particularly fascinating - an abstract of
nature being sucked into a whirlpool.
Well, there were no titles displayed, and if the names on the
price list could be ignored, you were free to interpret the
works. It was more fun that way.
Magesh's `Nataraja' was another abstract where the whole was
derived from the parts. Streaking hair, legs in pose and the
right lines in place on a bright blue gave the work its form.
Vijayalakshmi was into simple charming landscapes, like only
water colour on paper can, unlike the more common oil on canvas.
The exhibition was especially appealing for the experimental
nature of the works and its wide range. For instance, in spite of
Shanker's obsession with a dying flora, he has included a
contemporary style `King of Modern Age' that uses computer boards
and a golden CD.
The exhibition is open till June 2.
By Feroze Ahmed
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