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The serial impact
While the 1990s saw the beginning of the confrontation between
the Hindutva and the secular, pluralist forces in Indian polity
and society, much of the ground was prepared by the creation of a
'Hindu' public through religious serials on TV. While the book
under review traces the connection between religious and market
fundamentalism, it fails in its understanding of the Nehruvian
model of development, says C. P. BHAMBRI.
DURING the 1990s, Indian society, polity, culture and economy
experienced a break with the past 40 years of post-Independence
India, because all secular, modern and moral principles
underlying the pluralist and secular constitutional democracy
were in pieces before the forces of Hindutva.
The Sangh Parivar created a situation where it not only succeeded
in destroying the Babri Mosque on December 6, 1992, but also
threw a challenge before social formations which firmly believed
in upholding the cultural diversity of India in a cosmopolitan
pluralist social milieu. Rajagopal captures the story of the
march of Hindutva from 1987 and tries to link it with the
powerful role played by television in making "Hindutva
consciousness a reality" because it was for the first time that
the powerful medium that television is took the message of
Hindutva into the drawing rooms of lower and middle class Hindus.
Rajagopal focusses his attention on the formation of the Hindu
public in India as interpreted by the TV serials of the Ramayana
and the Mahabarata in the last years of the 1980s.
The author concedes that by creating a "media hype, media cannot
occupy the centrestage of society's politics" but media can
mediate in politics. He observes that "the weekly broadcast of
popular serials like the Ramayana thus inaugurated a new era not
only in television but in politics as well ..." and he builds his
thesis by stating that The Ramayana in a sense, joined these
events together "in the medium of its communication, swivelling
between the lost Utopia summoned by Hindu nationalists and the
brave new world promised by them and by market enthusiasts
alike". Television in the 1990s created in the minds of Hindus a
Utopia of the Rama Rajya of the past and a glorious future for
Hindus by the dismantling of "license-permit' Raj by inaugurating
the era of globalisation, liberalisation and privatisation. The
politics of Hindutva and globalisation are inter-linked in the
1990s by television because media emerges as a merchant of dreams
of Hindus by linking the past with a prosperous Hindu future. The
author targets the post-colonial developmentalist State of India
under the leadership of Nehru and the Congress(I) because the
emphasis was laid on "economic development". According to the
author, "culture was therefore accorded a low priority in
developmental activity". The author emphasises that "the
establishment of the planned economy exemplified the separation
of the developmental mission from popular will". The drab, dull
and meaningless radio and Doordarshan programmes during Nehru-
Indira Gandhi's leadership left a cultural vacuum in the lives of
average Indians and television was welcomed with open hands. "The
Ramayana" was manipulated by the forces of Hindutva because it
captivated the mind of culturally starving Hindus under the
Nehru-Indira regimes. Not only this. The decision to broadcast
"prime time religion" by the Rajiv Gandhi Government and later
governments was a decisive break from the "Nehruvian legacy of
secularism". Rajagopal has not only collected his material for
writing this book from multiple printed sources, but has also
undertaken a tour and talked with a lot of people on the impact
of the "The Ramayana". He quotes a mechanic who stated that "many
people watched it out of devotion. They felt that God was giving
them darshan". Television created a Hindu consciousness and the
Indian State manipulated the "consent of the people" for
democratic governance through the serial. Besides an introduction
and a conclusion, Rajagopal has devoted six chapters of his study
under captions like "Hindu nationalism and the cultural forms of
Indian politics", "Prime time religion", "The Communicating Thing
and its Public", "A split public" in the making and unmaking of
the Rama Janmabhumi movement", "Organisation, performance, and
symbol" and "Hindutva goes global". All these six chapters
provide every detail about every event from 1987 to December 6,
1992, and the inside story of the work of Sangh Parivar in the
"mass media". Rajagopal tells us that Hindi medium newspapers
became Hindu newspapers during the Ramajanmabhumi movement and
that the Sangh Parivar's influence over the Hindi press is felt
even upto 2001. Rajagopal is correct in saying that the
Congress(I), by violating the "Nehruvian secular taboo", made an
"ineffectual attempt to address its crisis of legitimacy and
widen its support-base, identifying itself within the glories of
a mythical kingdom". And in this age of competitive politics, the
soft Hindu card of the Congress(I) was lying in dust before the
real and authentic Hindutva of the Sangh Parivar. Here is a
lesson for the secularists. The 1990s has witnessed the growth of
Hindutva not only on its own steam but also on the basis of
support from the so-called secular political formations, groups
and leaders. The Bharatiya Janata Party (BJP) has marched on the
shoulders of so-called secularist political formations.
While Rajagopal's study has successfully brought to public focus
the rise, growth and limitations of Hindutva in the 1990s, its
analytical framework, where the rise of Hindutva is linked to the
growth of market fundamentalism in the 1990s, stands on a very
shaky wicket because of his own intellectual blinkers. He quotes
Pramod Mahajan of the BJP who approvingly signals the nexus
between marketing and political mobilisation by saying, "I think
it is time we stopped shying away from words such as 'sell'." The
Nehru-Indira Gandhi phase of politics provided a platform for the
contestants of the model of nation-building and every political
formation was involved in formulating an "agenda" for the
development of India with a view to eradicate poverty and
establish a socially just and equitable social order. Nehru's
vision of a secular India was closely linked with economic
development for bringing the mass of Indians out of poverty,
misery and backwardness. During the first 40 years of independent
India, segmentary, sectarian and socially exclusionary agenda was
contested by the believers of transformation of the whole of
India on the basis of secular, pluralist and modern participatory
democracy. Globalisation, and market fundamentalism have changed
the whole social milieu where "social goals for the whole of
India" have been replaced by political economy of market for
sectional interests and sectional welfare. Hindutva has not only
appropriated "globalisation" in a big way, it has also
successfully evolved its sectarian agenda of Hindu unity. With
all its faults and serious limitations, the Congress(I) has made
every effort to create a social-class agglomerate federal
platform and it has always confronted unitarian, exclusivist
Hindutva. The decline of the Congress (I) is not only the decline
of a party, it is the decline of a social ideology of an all-
India social coalition of classes, communities and castes and its
replacement is either Hindutva or casteist formations.
Rajagopal's focus on the limitations of the Nehruvian model of
development has precluded him from finding any merit in that
model which had successfully marginalised Hindutva. Why was
Hindutva a lunatic fringe during the Nehru phase of politics? If
Rajagopal had begun with this investigation he might have
succeeded in establishing an analytical linkage between
"globalisation" and Hindutva of the middle classes. Rajagopal has
succeeded in explaining the role of television serials like "The
Ramayana" in the construction of Hindutva but he has failed to
provide analytically inter-connected explanations for the growth
of Hindutva in the age of globalisation. Rajagopal represents the
weaknesses and limitations of all "culturalists" who are
extremely weak in applying categories of political economy for
the understanding of Hindutva in the age of market. Culture does
not hang in the air. Hindutva does not operate in a social
vacuum. Hindutva has succeeded in the phase of serious crisis of
the Indian political economy and this area of study has been
neglected by Rajagopal. Hence it is an unfinished and completely
inadequate study by a theorist of culture of communication. The
faults from which Rajagopal is suffering are shared by "all
theorists of culture explaining politics" because they are not
able to interconnect various complexities and contradictions of
Indian polity. This is also because the "cultural approach to
politics" is in itself a very limiting intellectual exercise.
Politics after Television: Hindu Nationalism and the Reshaping of
the Public in India, Arvind Rajagopal, Cambridge University
Press, p.393.
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