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Film Review: The Mummy Returns
IT WOULD seem that soon you would not need human beings to tell
stories. All you need are computer-generated graphics to show
events and characters and you can have an enraptured audience.
Not very strange considering the fact just as in many other
fields the computer does fill in many vacuums and create an
entire line of thought - give the mind its full play of
fantasties and possibilities, mythical or scientific, ancient or
modern. You can create almost anything the mind can visualise -
ghosts, monsters, half-human half-animal, clones, and yes even
mummies - their creation, existence and their returns as it
happens in ``The Mummy Returns'', a sequel to ``The Mummy.'' With
a mixture of the fascination of the ancient and modern temerity
to analyse and examine, Egypt and its pharaohs, pyramids and the
accompaying curses, myths and stories, provide film-makers from
Hollywood enough material. The more bizarre the characters and
events the better for them. What else would they do with all
their computer wizardry and imagination?
Throw in a bit of the reincarnation angle and two good looking
artistes playing the lead you have a film that can be captivating
by the sheer force of the speed with which things take place and
the magnitude of the visuals and its impact on the large screen.
The saga of the mummies starts in a shadowy chamber in the
British Museum when an ancient force of terror is about to be
reborn and now in this sequel, the corpse of Imhotep is
resurrected only to walk once more on earth to fulfill its quest
of immortality. But as if this alone is not sufficient to strike
terror yet another force is let loose, born out of the dark
rituals of ancient Egyptian mysticism to clash and force Rick O'
Connell (Brendan Frazer), Evelyn (Rachel Weisz) to save the world
and also rescue their son, a pawn in the struggle. This quest
takes them to Egypt and into the arms of the Scorpion King who
has been frozen in time suspended between life and death for five
millennia and ready to kill.
Above all this is the fabled desert oasis of Ahm Shere where the
mythical gold pyramid exists. According to desert lore, no one
who has seen it has ever returned - but then reaching that
pyramid is the only way Rick can save his family. And this
journey takes the viewer through landscapes ranging from the
deserts with moth-eaten, canine-bodied warriors, to flesh eating
maggot-like mummies in the dense jungles of the Nile.
Adrian Biddle as the director of photography gives audiences a
virtual feast when it comes to the grandeur of the Nile and the
pyramids the amazing quality of timelessness of these monuments
of an ancient era stays in the mind - a magical, surreal world.
The same goes for visual effects supervisor John Berton whose
creatures and the clashes make wonderful viewing by themselves.
Music by Alan Silvestri is only an aid to the proceedings as
sound effects take over in most of the frames. Written and
Directed by Stephen Sommers ``The Mummy Returns'' is one exciting
flight to fantasy.
CHITRA MAHESH
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