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Online edition of India's National Newspaper Thursday, July 19, 2001 |
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Divine beats
FOR WELL over two decades, it is the sound that has been echoing
in and around Mahalingapuram. As the curtain of darkness falls
over the neighbourhood, drums accompanied by a heavy brass chime
played in unison, invite people for prayers at the Ayyappa temple
here. As worshippers gather, the main deity is decorated behind
closed doors, amid the varying intensity of drumbeats.
Indeed, Chenda, a set of drums played during prayers at the
temple, is one of the traditional temple instruments of Kerala.
"Here, we follow the rituals that are performed in temples across
Kerala. None of them can conduct their rituals without these
drums. That is how the Gods are invoked in our culture," says
T.K.B. Nair, joint secretary of the Ayyappa Temple.
The Chenda features among several categories of percussion
instruments used in the temples of Kerala. There is a special
instrument for each ritual performed like Kombu, Mathalam,
Idathalam, Thimili, Paani and the like and these are played
during different times of worship or Pooja Kalams. "Like temples
in other places, Kerala temples also offer prayers, six times a
day. Instruments are a must for the performance of the poojas.
The first ritual of the day starts with Thimila paani , followed
by Sangu, Idakku and Chenda," explains T.K.B. Nair.
While other instruments are strictly used for prayers, Chenda can
be played anywhere and at any time.
The drum is made of wood from the jackfruit tree, as it helps
produce the deep sound, so unique to this instrument. Cylindrical
in structure, it is two-and-a-half metres long with a hollow
space thirteen-and-a-half inches in diameter. The circular
portion at either end is covered with cow hide. The drum is
played with a specially made stick from the Champpangu tree.
Besides the regular instruments, used for the daily rituals, Mara
paani, a special drum, is played only during important festivals
of the temple. "Thimila Paani is played during the daily ritual
for a couple of minutes, whereas Mara paani is played for
half-an-hour before the commencement of any festive ritual. In
this temple, we play Mara paani 12 days in a year, when we have
festivities, during the month of October. The instrument is
accompanied by Sangu," says Nair.
Temple instruments in Kerala are played by specially trained
artistes, who belong to the Marar community. People from this
community have been drummers and decorators of the deity, for
several centuries. A group of drummers from this community has
been brought from Kerala to play at the Ayyappa temple in
Mahalingapuram.
They are provided accommodation and paid a salary. "We learn the
nuances of temple instruments at the age of five. We learn from
the special institutes that teach these instruments. Though
formal learning is important, we mainly learn the rhythms by
watching our elders," says Krishnankutti, member of the band.
Whoever passes by the temple in Mahalingapuram, cannot miss the
sound of the drums. Played in unison, the sound reverberates.
The drummers compare this with the universal rhythm in Hindu
scripture: Om. It is no wonder then that the drums attract
everyone to the temple and fill the heart with divinity.
L. SUBRAMANI
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