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Online edition of India's National Newspaper Friday, August 03, 2001 |
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Film Review: ''Almost Famous''
IF YOU are a rock and roll enthusiast, over 40 and maybe one of
those who likes writing on such things this would be a movie to
watch. For there are elements here in Coloumbia Pictures and
Dreamworks Pictures - ``Almost Famous'' - that would be like a
walk down memory lane for those who have grown up on a diet of
the Beatles, Led Zepplin, Black Sabbath, Jimmy Hendricks among
others. The rock music, the drugs, the rebelliousness, the
alienation and all things associated with music groups in the
late 1960s and the early 70's have been depicted through the
travails and journeys of a band called Stillwater - an up-and-
coming group and the dynamics that take place within a rock and
roll-struck 15-year-old (with tremendous writing skills) acting
as a catalyst.
A film by Cameron Crowe, (who made Jerry Maguire as well) this is
a specialist kind of film - where only interest can ensure
sustained viewing till its rather long-winded end. Nice, but a
bit tedious.
William is the 15-year-old boy (Patrick Fugit) whose love of
music lands him an assignment from the Rolling Stone magazine to
interview the emerging popular band Stillwater - with lead
guitarist Russell Hammond (Billy Crudup) and lead singer Jeff
Bebe (Jason Lee). This puts William on a journey of discovery -
of the band and the group dynamics, the excesses, the love and
the hatred, fans and their obsessions. A truly learning
experience despite his protective mother's warnings of the
pitfalls - the friends he makes, the love he finds and the
deception and cowardice he has to deal with. The thin line
between truth and illusion blurs - making him lose his
objectivity and discovering that truth and love are not always
straightforward. Nancy Wilson (Musical score) has recreated the
feel of the 1960s and 1970s with the band rocking on stage with
fervour and passion while Betsy as the costume designer has given
the characters a look that could pass off as contemporary too.
John Toll's camera work has picked up the concert blues well just
as he had done with the hyped energy on stage.
CHITRA MAHESH
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