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Online edition of India's National Newspaper Sunday, August 05, 2001 |
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What's in a name?
THE Mumbai of 2001 does not outwardly resemble the Beirut of
1980, and its streets are not divided by barbed wire fencing or
scarred by shrapnel. But the cartographers of dislocation can
operate undetected, and the metropolis has been sharply
fragmented along ethnic lines since the riots of 1992, which
followed in the wake of the destruction of the Babri Masjid in
Ayodhya by Hindu right-wing goons. Somewhere, among the jostling
commuters on the suburban trains, the protest marches of striking
workers, the buzz of the plastic-canopied souks and the neon
arcades winking in the unseasonal rain, the violence waits
patiently to be ignited.
That is to say, Bombay has been transformed conclusively into
Mumbai. In such an eerily fraught situation - when every traffic
signal bears a saffron, green or blue banner, depending on the
party that dominates the neighbourhood - there is a comforting
neutrality to the names that places acquired during the colonial
period.
These are songs of absence, bookmarks inserted among the pages of
a book that crumbled away long ago. Charni Road marks a vanished
pasture, Walkeshwar a destroyed Shaivite shrine, Pydhonie a
ritual of foot-washing rendered archaic by reclamation and
vehicular traffic. The romance of an Iberian princess hovers
about Bandra, and if Mahim was once a fisher-king's demesne,
Malabar Hill delights in the memory of pirates and mariners
playing desperate games of hide-and-seek along the west coast.
Emerging organically from the lives and memories of people as
they have, these names demonstrate a lively collective
imagination at work, mapping and re-mapping the currents of
experience, alternately colluding with and dissenting from the
narratives of official mythology. These place-names evoke
histories of arrival and departure: they graph waves of
settlement, the ebb and flow of community. Above all, they embody
the sensation of locality, the distinctive experience of sights,
sounds, smells and emotional associations, that turns space into
place.
The Malabar Hill area is usually thought of as Mount Affluence,
but it is also an exceptionally sacred site to several million
people. Banganga, the tank-temple complex on its western slope,
elaborates the spiritual universe of the Gaud Saraswat Brahmin
pioneers who established it. The temple of Babulnath Mahadev on
the hill's east slope records the aspirations of the Bhatias and
Kapols who first worshipped there. The Tower of Silence, a wooded
sanctuary, is where the Zoroastrian dead make their way into
eternity. And yet, significantly, even as it describes a vast
cosmology from various perspectives, the Malabar Hill area does
not lose its specific, and detailed, identity as place; indeed,
it is the unique weave of details that produces such a sense of
place.
It is when they are rootless, when they have no sense of
connection with the space they inhabit, that people escape from
locality into rhetoric. Lacking the sensitivity, the knowledge of
particulars that allows people to construct a vibrant and unique
folklore around themselves, they reach for a one-size-fits-all
mythology, an encyclopedia of new names that bear no meaningful
relationship to the places to which they will be tagged. The
disease is endemic among politicians, a tribe of wandering
illusionists who have forfeited their sense of specificity in
pursuing their ambition to hypnotise the masses. That is why a
local politician was inspired, several years ago, to demand that
Malabar Hill be renamed Ramanagari.
So far as such demagogues are concerned, voices are only
considered audible when they carry over a megaphone, and events
that do not appear in the newspaper headlines have not happened.
Politicians of this stripe do not recognise the idea of an
unemphatic culture, a culture that does not make proclamations
but works its way quietly from past to future, a mercurial
bloodstream. To them, the only viable culture is one that grows
out of the mythological nautankis of the TV screen, charades set
in cardboard Ramanagaris which the prop-boys will dismantle once
the scene has been shot.
The passion that some of our politicians have conceived for
renaming places puts me in mind of an episode recorded in Amitav
Ghosh's 1998 book, Dancing in Cambodia, At Large in Burma. Ghosh
recounts a fascinating conversation he had with Aung San Suu Kyi
in 1995, an exchange that reveals her warm and humane
understanding of people and their motivations. When Ghosh asks
her what she thought of the Burmese ruling junta's decision to
erase the past by launching a comprehensive renaming programme -
under which Burma has become Myanmar and Rangoon is now Yangon -
Suu Kyi bursts into laughter. Ghosh writes: "She laughed. 'Yes,
please use the old forms,' she said. 'As support for a sensible
way of looking at things. I do not like narrow-mindedness. Even
if these names were given by the British colonialists, so what?
After all, India is called India, and not Bharat; and China is
China. I think if you have enough confidence in yourself, you
should not worry about what you are called'."
RANJIT HOSKOTE
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