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Betrayed dreams
One consequence of Partition has been the erasure of Muslim
contribution to the liberation and emerging culture of the
nation. Abdus Samad's Dawn of Dreams brings out this tragic
development poignantly and forcefully, says TAQI ALI MIRZA.
ONE of the saddest aspects of the Partition of India in 1947 is
the way in which the contribution made by the Muslims of
undivided India in the freedom movement has been almost totally
marginalised. With the exception of a few individuals like Abul
Kalam Azad, the sacrifices made by other Muslim leaders like Dr.
Ansari, Hakim Ajmal Khan and the Ali brothers seem to have been
written off. It is forgotten, specially in the conditions now
prevailing in the country, that Muslims fought, shoulder to
shoulder, with their Hindu brothers, for a 100 years, ever since
the great uprising of 1857, to liberate the country from alien
rule. This is the price they have had to pay for the creation of
a separate state for which, it is now widely recognised, the
British rulers were primarily responsible. Abdus Samad's novel
Dawn of Dreams (translated from the Urdu original, Khwabon Ka
Savera by Mehr Afshan Farooqi) brings out this tragic development
poignantly, but very forcefully.
It is the story of a staunch "nationalist" Muslim of Gaya, Bihar,
Anwar Ahmed, brought up on Gandhian principles and Nehruvian
idealism, who refuses to believe, despite a succession of
setbacks, that he has ceased to be an Indian. His loyalty to the
motherland is unfaltering. He is an active Congress member who
has risen to a position of considerable eminence in his state of
Bihar. He turns down the entreaties of his wife and her brothers
to migrate to Pakistan at the time of Partition. In the years
that follow, his trust in fair-play and justice receives one jolt
after another - his inability to secure a seat for his son, Afaq,
in a good college, the way Afaq is hounded out of Aligarh
University because of his involvement in politics and the growing
realisation that though people still treat him with regard, his
claims are ignored because he is a Muslim. The decline in his
political career by the abolition of Zamindari which of course,
as a true patriot, he welcomes, means a sharp fall in prosperity.
Disillusionment and frustration mark his later life, but he never
loses faith in his principles. His step-brothers, Sabir Ahmed and
Jabir Ahmed, enter the world of business and flourish, sending
their sons abroad for education, but Anwar Ahmed remains unfazed.
Afaq, his son, falls a prey to the lure of communal politics and
gains some political standing, and is inevitably drawn into the
vortex of sectarianism which mark the growth of "rightist" forces
creating an atmosphere of suspicion, distrust and a deliberate
attempt at alienating certain sections of society.
Alok Bhalla, in his perceptive introduction to the book, rightly
suggests that "the novel offers a sharp rebuke to the Hindu
communalists who have, for their own mean-spirited reasons,
refused to memorialise the life-contributions of the Muslims to
the cultural, moral, social and political ethos of the country",
but "there is no reason to believe that relations between Hindus
and Muslims are so fatally flawed that their life together can
only end in tragedy; that they can never escape from living like
fated fools". Fortunately, Afaq is rescued from a ruinous career
by the courage and commitment of his cousin, Kulsum, daughter of
one of his uncles. Kulsum is an activist and has made public
service the main concern of her life. The novel, it may be said,
ends on a note of hope, when Afaq decides to join forces with
her, and Kulsum agrees to be his life-partner. This, probably, is
the dawn of dreams.
Besides Anwar Ahmed, Afaq and to some extent Kulsum, who are
characters of substance, there are interesting characters like
the eccentric but utterly lovable, Fakhru Chacha who refuses to
believe that his mother has died in Pakistan because she belongs
to India and should buried here; Anwar's close friend, Hashmi,
the left politician, driven to cynicism as a result of what he
considers the criminal capitulation of the silent majority to the
criminal minority of "murderers, rapists, killers, looters, and
trouble makers" both among the Muslims and Hindus; the long-
suffering Aliya Khanum, the wife of Anwar Ahmed who has seen her
world collapse around her and the totally wordly-wise Sabir Ahmed
and Jabir Ahmed, Anwar's step-brothers, who have accumulated
immense wealth through fair means and foul. The translator is
right when she says that Dawn of Dreams picks up the narrative
where most Partition stories end. The closest parallel to this
novel that the reviewer can think of is Atia Hossain's extremely
well-written, but largely forgotten novel, Sunlight on a Broken
Column.
Mehr Afshan Farooqi's English rendering of Abdus Samad's novel is
a splendid effort. Not only has she captured the poignancy of the
Urdu original, she has, one likes to suggest, enhanced its total
effect by slightly reducing its size by omitting several passages
and occasionally, whole chapters, to give the narrative greater
vigour. One does not know if the omissions have been made with
the author's knowledge, or at the translator's own discretion, or
at the publisher's instance. Whatever the reason, the English
version has gained considerably in effectiveness and readability.
In her translator's note the translator asks herself the
question, "Should a translation read like a translation?" One
would like to assure her that her translation reads like an
original, and yet remains faithful to the original text.
Dawn of Dreams, Abdus Samad, translated by Mehr Afshan Farooqi,
Macmillan India, 2001, p.309, Rs. 175.
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