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Online edition of India's National Newspaper Thursday, September 13, 2001 |
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An artistic reminder
It is a symbol of the halcyon days of one of the greatest empires
in Indian history. The idol of Balakrishna that once adorned the
Krishna temple at Hampi, is a reminder of the glorious days of
the Vijaynagar empire. The idol now greets visitors at the
entrance of the Government Museum, Chennai.
It is believed that King Krishna Deva Raya took the idol from
Udayagiri (Nellore district) and installed it at the Krishna
temple at Hampi to commemorate his victorious campaign against
the Gajapati King of Ganjam (Orissa), King Prataparudra. The king
built a special mandapa for it in the Krishna temple, built by
him at Vijaynagar (Hampi). Of course, the temple is in ruins
after Hampi was ransacked in 1565 AD after the Battle of
Tallikota (Rakshasi-Tangadi to be accurate), when the Vijaynagar
army was defeated.
Researchers, after in-depth study of various inscriptions found
in Hampi, have concluded that the year of installation of the
statue must have been 1515 AD.
The idol is made of a single stone. It shows Krishna as a young
boy, "seated with left leg on the seat and right hanging down."
Both the hands are missing except for the fingers of the left
hand. The hair is arranged in a knot over his head and his large
earrings are shaped like small sankhas (conch). The statue is 95
cm high, 50 cm long and 39 cm wide (a recent measurement). A
chain with tiger claws (pulinagam) and another chain with a
pendant are also seen. Also noticed on the figure are other
adornments like udarabhandha (wrapped around the stomach),
channavira (chest ornament), katibandha with kinkinis (a waist
chain with bells), padasaras (type of anklets) and tandai (an
ankle ornament worn by warriors).
The eyes are big which conforms more to the Pallava/Kalinga
iconography, the nose is slightly disfigured while the
Vaishnavite U-shaped mark on Krishna's forehead reminds one more
of the Orissa culture of Chaitanya Mahaprabhu.
Confusion in dates and the cause of events like the date of the
installation of the idol or whether the temple or only the
mandapa was built to install it, are endemic to Indian history.
Triangulation with astronomical data often helps remove them.
A comforting thought is that not just kings and their statues,
but even idols of gods associated with them, sometimes fade into
oblivion.
R. KANNAN
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