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Online edition of India's National Newspaper Friday, September 28, 2001 |
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Poignant tale of Tulsi Das
It was not one of the usual plays one gets to see in Chennai. It
was a mono-act and a musical. And Shekhar Sen kept the audience
glued to their seats, says CHITRA MAHESH.
WHEN MUSIC, words and devotion combine you have something that is
striking. And it was not far from this premise on September 19 at
the Music Academy when Shekhar Sen presented his version of the
saint poet Sant Tulsi Das.
Chaste Hindi with a wonderful exposition of its choice visual
imagery provided Hindi theatre lovers an occasion to brush up the
language at its prettiest best.
Some of the passages were in the braj bhasha the language spoken
in those days when poets such as Tulsi Das and Kabir espoused the
cause of devotion and piety.
This was not one of the usual plays one gets to see in Chennai.
In the first place it was a mono-act and a musical at that. And
it is rather difficult to sustain the audience interest and the
energy to hold forth in such a genre.
But Sen did it and had the audience glued to their seats till the
end. The theme of devotion woven into the life of Tulsi Das had
many incidents that ultimately made this saint. His love and
passion for Lord Rama and his valour were brought out in the many
snatches of bhajans composed by him and others. Especially
poignant was the brief episode when Tulsi Das meets Kabir Das.
Tulsi Das tells him that it is a blessing to meet the man whose
songs he has been singing in his poverty stricken days, and the
blind bard chuckles &151; "it is good to know that other beggars
sing this beggar's songs.''
Shekhar Sen with his Anup Jalota like melodious voice kept up the
mood of mellow devotion right through &151; from "thumka chalata
Ramchandra" to the "Hanuman Chalisa". The power of reciting the
Chalisa was conveyed through an interesting episode. Tulsi Das is
challenged to spend an "amavas ki raat" near the crematorium.
Frightened at first, he recites the Chalisa and fear evaporates.
The message is that the recitation of Chalisa does keep all evil
and ghosts away making `bhakti' an armour against anything scary.
The play did not disappoint. Taking the centrestage as Tulsi Das
was Shekhar Sen, writer-director, who has done many such shows in
other parts of the country.
He seemed to give his all to the character and the settings,
which was simple and functional with a bit of special effects to
create the ambience. The lone tulsi plant in its traditional form
acted as the symbol of the poet and his relationship with Lord
Rama.
Dressed in a dhoti kurta in light ochre he was able to recreate
scenes with just his narration and singing.
Shekhar Sen was in Chennai for Sanskaar Events, which, as the
spokesperson said, seeks to foster virtues and values in life
through such programmes.
Judging by the response they seemed to have achieved at least a
bit of it that day.
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