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Online edition of India's National Newspaper Wednesday, October 10, 2001 |
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Music of another day
A NEARLY wet dark evening. The sun sets earlier than usual. The
streets are slushy, if not slippery. The previous day's
experience indicated there would be a good shower that night.
Good reasons for a lot of people to stay at home, though Rooplyn
Music Circle was playing again.
Reason enough for the show to start way behind schedule. But
those who did turn up, late or otherwise, had an evening to
remember, an evening of golden memories. `Sunehri Yaadein'
attempted to recreate the music of the Golden Era of Hindi film
music. Beginning from the 50's and picking sterling compositions
from the works of maestros like C.Ramachandra, S.D.Burman, Madan
Mohan, O.P.Nayyar, Salil Chowdhry, Kalyanji Anandji, Husun Lal-
Bhagatram, Madan Mohan, R.D.Burman, Shankar Jaikishan, Anil
Bishwaas, among others.
Each song of the Golden era, rendered admirably, jelling together
voice, music and lyrics much the same as it was done years ago.
The usual troupe this time, however, with a few well deserved
additions and a few deletions let the music of the past fill the
auditorium of Rani Seethai Hall.
And as the audience waited, they were rewarded with choicest
selections from the works of the above mentioned composers,
though the general feeling was that a few more `jovial' numbers
may have been included. After all in every show, there is
something called catering to different sections of the audience.
This however, is not to take away from the grandeur of that
evening's performance. Beginning with a composition from
C.Ramachandra, Anitha and Prashanthi, debutants with Rooplyn, got
the show going with `Gore Gore'. Rooplyn's `bachelor boy',
Surojit Guha got into the act next with Hemant Kumar's `Naya
Chand Hoga'. Jaishree, Rooplyn's `last show' find did a good job
with those numbers that had a strong classical base, excelling in
solos, `Mone Banghat Ki' from Naushad's collection deserving a
commendable mention.
Anand Madhavan, Rooplyn's `conductor', had the appreciative
audience crying for more with the sentimental number `Koi humdum
na raha'. Could it have been done better, one wondered. But with
Krishnan's `Kabhi Kabhi', one knew for a fact that it could have
been better - much better. `Kabhi Kabhi' is much too familiar and
much too impressive for the audience to do with something less.
Anand Madhavan, though should be commended for his detailed
research into the lives of the composers. The booklet, `Tribute
to the Composers of the Golden Era' released and distributed on
the occasion is something a Hindi film music lover will go to
great lengths to possess.
`Sunehri Yaadein' was an evening well worth the expense and
effort. Also satisfying, was the fact that the proceeds of the
show would be diverted towards the Rotary Club of Anna Nagar's
T.P.Chathiram Slum project.
By Ramya Kannan
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