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Online edition of India's National Newspaper Monday, November 05, 2001 |
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Entertainment
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An obsession called music
"Ussele ussele" goes the title track of Srinivas' latest album.
But what does that word mean? "Well, it is a Tamil word, used by
fisher folk. I was trying to set a tune to a techno beat and
hummed "Ussele Ussele". And the name stuck," says the playback
singer. The album, produced by Rajeev Menon, with six interesting
tracks, hit the shelves recently. The peppy numbers, including
the `pop' version of "Eppo varuvaro", with a strong classical
tang have been sung by Chitra, Unnikrishnan and Kalyani Menon,
besides Srinivas. It is the singer's second `pop' venture after
"Paarvai", which he collaborated with Pravin Mani.
For the chemical engineer, nurtured by a music-loving family, it
has been quite a remarkable journey into the world of notes and
tunes. While living in Thiruvananthapuram, listening to stalwarts
such as Semmangudi and K.V. Narayanaswamy at an impressionable
age whetted the lad's musical appetite. "I used to sing a lot of
Hindi film songs in school and college," he remembers. His other
musical influences were Kishore Kumar, Mehndi Hasan and R.D.
Burman. "But I was an Ilaiyaraja maniac. My dream was to meet
him."
Srinivas' dream did materialise in 1988 when he met the composer,
who asked the young man for a demo tape. "I was really amazed as
I was a song being recorded. The studio actually turned me on!"
Of course, that meeting did not bear any fruit.
In early 1990s, "Roja" happened and a young composer called A. R.
Rahman took the music world by storm. "When I heard Rahman, I
knew this guy was different. His music was fresh and he launched
a whole lot of new singers. I had hope and decided to meet him."
That meeting changed the course for Srinivas. "Those days, Rahman
was easily accessible and heard some songs sung by me. In fact, I
told him I was a bathroom singer and his reaction was "Good"! But
he was a little unsure as I was not living in Madras at that
point."
That too changed. Soon Srinivas moved bag and baggage from
Coimbatore to Madras on a transfer. "I initially did backing
vocals and tracks", says the singer, who admits he was
disappointed that he never got to sing solo.
Meanwhile, he sang jingles for Rajeev Menon (Bru, ICICI). That
did the trick. Rahman heard Srinivas and the outcome was the
peppy "Oo la la la" from Menon's "Minsara Kanavu".
Though the song did not do much to prop up his career, Srinivas
was noticed by other composers, including Ilaiyaraja. ("I have
sung about eight to 10 songs for him"). He also got an
opportunity to sing for Jatin-Lalit ("Raja Ko Rani Se Pyar Ho
Gaya") and more recently, for Shankar-Ehsaan-Loy in "Dil Chhata
Hai".
But when he talks about Rahman, Srinivas' eyes light up. "He
allows the singer to experiment and explore. He is a godsend for
aspiring singers," gushes the singer, who was Rajnikanth's choice
for "Minsara Poove" from "Padayappa". Incidentally, the song won
Srinivas the State award.
The greatest moment of his life, however, was a phone call from
the maestro M. S. Vishwanathan, who has come out with a Tamil
ghazal album "Sangeetham Santhosam". "He is such a simple person,
a singer's dream as a composer. I recorded a couple of numbers
for the Tamil ghazal album. Nearly a week after the recording, he
called me up from the studio. He said he was mixing the song and
said the song sounded great. What more can I ask for?"
Ask Srinivas, who enjoys listening to ghazals and world music
about his favourites and he responds with "Endaro mahanubavulu...
". There are so many of them I cannot single out anybody."
The singer is all fired up about his forthcoming projects - one
with Pt. Shiv Kumar Sharma, another with V. Shantharam's
grandson, Balachander's "Paarthalae Paravasam" (Rahman again) and
of course, M.S.Vishwanathan's Tamil ghazal ablum.
Today, his elder daughter Saranya (10) is following in her
father's footsteps. In fact she sang a line in `Tenali' and can
now be heard in "Ussele".
Does Srinivas feel the need for formal training?
His instant reply is "Singing is all about bhava. Without it, the
purpose is lost. Let you heart dictate your singing, then you
will feel it more."
SAVITHA GAUTAM
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