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Poignant projection

On the occasion of World Suicide Prevention Day, `Hope' comes with a relevant message


A richer understanding of the beauty of life should help children become more understanding and appreciative of life



THOUGHT-PROVOKING Ramanaidu in a still from `Hope'

Twenty five thousand students have committed suicide in the last five years owing to educational pressure and every year the situation is getting worse, according to Roshini, the Centre, which befriends people with suicidal tendencies and counsels.

They couldn't have found a better medium than Hope to put their message across with September 10 being projected as the World Suicide Prevention Day.

Filmmaker Satish explains the reason behind making the film. He says, "when my daughter joined Junior college, her senior - a second year Intermediate girl committed suicide within three days of her admission. That triggered my thought process and I transferred the impact on celluloid."

Most parents feel a sense of failure or inadequacy if their children do not live up to their expectations.

Without a second thought, they encourage and even force their children to work hard and compete for the so-called `success'. They impose their value systems on their children who are under pressure to be smart, to be popular and to excel.

They are under the impression that success means the ability to compete, conquer and quell.

In Hope...naaku maarpu kaavali, Satish uses Ramanaidu and Kalyani to show the desolation in life as well as the reason to move forward for a brighter tomorrow. Ramanaidu in the role of an ailing professor gives a polished yet restrained performance.

Satish feels there are many loopholes in the education system and it should end beginning with the burden of carrying heavy school bags to burning midnight oil for higher studies.

He adds, "I have never been academically brilliant but I consider to be very successful in life and that's what should matter eventually."

Beyond such opinion lies unmistakable appreciation for an artistic body of work known for its authenticity and sobriety.

Even in some of the most disturbing moments in his movies, Satish seldom allows emotion to turn turbulent and take over restrained approach.

He avoids the over-dramatisation , and of course without sounding preachy , gives a beautiful message that "a richer understanding of the beauty of life should help children become more understanding, more compassionate, and appreciative of the beauty of nature and life around them."

It will impact you on multiple levels and strike you as astonishingly daring and contemporary.

The filmmaker plans to take this movie and movement to schools and colleges, for it is an undeniable powerful exploration of the parents and children psychology.

Y. SUNITA CHOWDHARY

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