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Earlier Isues: Dec: 29 27 26 22 20 19 15 01 |   Jan: 10 06 04 03

Birds of the same feather
Singers, dancers, instrumentalists — talent is aplenty here.
Music

MUSIC ACADEMY
Emphasis was on bhava
The Lalgudi duo presented a fulfilling concert while Ranjani and Gayathri offered a sumptuous fare.


BRAHMA GANA SABHA
Wholesome concert
Veterans are not deterred by the strength of the audience. For them music is meditation and it is with great bhakti that they approach the art. N.C.Soundaravalli belongs to this category. The hall at Brahma Gana Sabha had few listeners but the ...
MUSIC ACADEMY
Torrential flow of ragas
T.N.Seshagopalan's rich knowledge came through in his recital; Sanjay Subramaniam presented a splendid portrait of Brindavana Saranga.
SRI THYAGA BRAHMA GANA SABHA
In the footsteps of the stalwart
If Unnikrishnan's Kharaharapriya was a dazzling display of fluency in voice and technique, U. Srinivas's Purvikalyani was an essay in sensitivity.
SRI THYAGA BRAHMA GANA SABHA
Confident handling of prayogas
His training as a violinist is a definite asset to his orientation as a vocalist. N. Harish, a disciple of Srimathi Brahmanandam (violin) and Vijay Siva (vocal), sings with poise and maturity. His swara gnanam is evident in the bold contours of ...
NUNGAMBAKKAM CULTURAL ACADEMY
Creation here was continuous process
Saveri left its gentle footprints in the mind of the listeners.
SRI PARTHASARATHY SWAMI SABHA
At a comfortable pace
There was a sense of cheer in Mahathy's concert, while Ranjani and Gayathri were pleasant on the violin.
SRI KRISHNA GANA SABHA
With an eye on tempo
Sudha Ragunathan's concert featured a striking change in the Sahana and Manirangu exercises.
MUDHRA
Into regions less traversed
Through their splendid alapana of Kantamani, Malladi Brothers took their audience at Mudhra to regions less travelled in Carnatic music. The rasikas applauded heartily at Sriram Prasad's demonstrative arohana-avarohana of the 61st Melakarta raga, ...
NAADA INBAM
Striking Shanmukhapriya
There were slips in Manimaran's voice initially but the Shanmukhapriya alapana found him back in form.
MY FESTIVAL - KADRI GOPALNATH
It's like being part of a big family function
My first Margazhi experience: As an outsider, I was completely awestruck by the magnificent celebrations of classical arts. I thought it was unparalleled. It took some time for the spectacle to sink in. I was based in Mangalore and would make ...
MUSIC MATTERS
One often hears that classical arts are under assault from the more popular media like films and television. The Lakshminarayana Global Music Festival at Kamarajar Hall the other day provided a unique example of this phenomenon. As Kathak maestro ...
FROM THE ARCHIVES
Tamil Isai
The performance by M. M. Dandapani Desigar at the Tamil Isai annual conference at the Annamalai Manram on the inauguration day was satisfying, but not exciting. He built the concert around an elaborate Kambhoji. His voice though seasoned and ...
WHY SO CLOSE?
These days, when popular singers perform and the hall is overflowing, the practice is to make the listeners sit on the dais close to the group. But why do the accompanists position themselves so close to the main artiste, so much so that it ...

Dance

BHARAT KALACHAR
Neat portrayal
Sonal Mansingh presented a gripping piece on Lord Krishna for nearly an hour and a half.
SRI KRISHNA GANA SABHA
As graceful as the glide of a swan
The visualisation of the timeless love story was somehow lost in the recurring group scenes.



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